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44.1kHz vs 48kHz Audio – Which Is Better? | Pro Tools ...
https://www.protoolsproduction.com/44-1khz-vs-48khz-audio-which-is-better/
The standard format for audio CDs is 16-bit/44.1 kHz. If you record at a higher sample rate, the sample rate needs to be converted to 44.1 kHz. …
Explanation of 44.1 kHz CD sampling rate - Columbia University
http://www1.cs.columbia.edu/~hgs/audio/44.1.html
60 X 245 X 3 = 44.1 KHz In 50 Hz video, there are 37 lines of blanking, leaving 588 active lines per frame, or 294 per field, so the same sampling rate is given by 50 X 294 X3 = 44.1 Khz. The sampling rate of 44.1 KHz came to be that of the Compact Disc.
Solved: dealing with 44.1 kHz audio - Adobe Support ...
https://community.adobe.com/t5/premiere-pro-discussions/dealing-with-44-1-khz-audio/td-p/10733458
We are editing a feature documentary with the audio set at 48kHz. Our composer has given us the music cues in 44.1kHz. They seem to play fine even with the different rates. Our audio mixer says we should be working entirely in 48kHz. Will working with the 2 different rates be a problem? I know it u...
Recording at 44.1khz vs 96khz vs 192khz vs 48khz. What Are ...
https://littlecornerofamusiclover.com/recording-at-44-1khz-vs-96khz-vs-192khz-vs-48khz/
44.1 kHz is the most popular file sample rate. This rate is the industry standard for most audio, such as CDs. This is not just a random number. Levels between 20 Hz and 20 kHz are audible to humans. Most people lose their capacity to hear higher frequencies throughout their lifetimes. They can only detect frequencies between 15 to 18 kHz.
Why Audio Formats Above 16-Bit/44.1 kHz Don't Matter ...
https://www.tomshardware.com/reviews/high-end-pc-audio,3733-18.html
Based on our experience, 16-bit and 44.1 kHz provides the best audio quality you're able to experience. Everything beyond that format tends to be a …
Software Tech: 96 kHz vs. 44.1 kHz—Let’s Settle This
https://www.prosoundnetwork.com/pro-sound-news-blog/software-tech-96-khz-vs-44-1-khz-lets-settle-this
This can create foldover distortion—a well-recognized digital audio limitation that produces aliasing and a “woolly” sonic character. In workshops, I often demonstrate the sound of an amp sim recorded at 44.1 kHz, 96 kHz and 192 kHz. The difference is so obvious that a common reaction is, “Are you sure it’s not a different preset?”
Is 44.1kHz/24-bit really "audiophile?" | Steve Hoffman ...
https://forums.stevehoffman.tv/threads/is-44-1khz-24-bit-really-audiophile.420684/
Location: 1060 W. Addison. 44.1/24 probably does not meet a reasonable definition of hi res but it sure could for audiophile. My 44.1/16 DCC Ray Charles His Greatest Hits (Uh-Huh) CD done in 1992 is audiophile so it is not always about sample or bit rates in my book.
Amazon Music - 24/44.1 material is "Ultra HD"? | Audio ...
https://www.audiosciencereview.com/forum/index.php?threads/amazon-music-24-44-1-material-is-ultra-hd.16203/
24/44.1 is higher resolution than CD quality and that's the key. Personally I don't use Amazon Music so this isn't a defence of them, but it would seem that anything above CD quality is Hi-Res (or UHD in Amazon's definition). I have no idea about royalty rates.
Can't hear difference between 24/44.1 & 24/96 - General ...
https://audiophilestyle.com/forums/topic/2222-can39t-hear-difference-between-24441-2496/
But the point is that even if the 24/44.1 audio is distorted, the 24/96 audio should sound great; possibly better comparatively vs the slightly distorted 24/44.1 than it would have with all the Audio Midi changes and iTunes restarts. I don't hear a difference.
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