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AES Standard » AES2-2012: AES standard for acoustics ...

    https://www.aes.org/publications/standards/search.cfm?docID=12
    AES2-2012: AES standard for acoustics - Methods of measuring and specifying the performance of loudspeakers for professional applications - Drive units The following standards and information documents are published by the Audio Engineering Society.

AES Standard » AES59-2012: AES standard for …

    https://www.aes.org/publications/standards/search.cfm?docID=92
    AES Standard AES59-2012: AES standard for professional audio - Audio application of 25-way D-type connectors in balanced circuits The following standards and information documents are published by the Audio Engineering Society. The latest printing will include all amendments and corrections and will be available within a week of its date.

AES Standard » AES64-2012: AES standard for audio ...

    https://www.aes.org/publications/standards/search.cfm?docID=93
    AES Standard AES64-2012: AES standard for audio applications of networks - Command, control, and connection management for integrated media The following standards and information documents are published by the Audio Engineering Society. The latest printing will include all amendments and corrections and will be available within a week of its date.

STANDARDS AND AES2-2012 - Park Audio

    https://parkaudio.ua/DOCz/knowledgebase/aes02-2012-f.pdf
    AES2-2012 - 3 - 2013-02-11 printing This foreword is not part of the AES2-2012 AES standard for acoustics - Methods of measuring and specifying the performance of loudspeakers for professional applications - Drive units Foreword to 1984 edition The purpose of this document is to recommend methods of specifying the performance of loudspeaker

After AES 2012: Asynchronous Audio — SonicScoop

    https://sonicscoop.com/2012/10/31/after-aes-2012-asynchronous-audio/
    After AES 2012: Asynchronous Audio. San Francisco was the site of the 133rd AES. Out of sync. From the moment the 133rd AES Convention opened up the showfloor at San Francisco’s Moscone Center, you could feel it: Things were out of place – from the glaringly obvious to the subtly disquieting – that were going to take some thought to work ...

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