We have collected the most relevant information on Audio Control Room Acoustics. Open the URLs, which are collected below, and you will find all the info you are interested in.
Control room acoustics | TV Tech
https://www.tvtechnology.com/miscellaneous/control-room-acoustics
We can control internal room acoustic behavior by controlling room size and shape as well as surface treatments. Think of a small room as two separate rooms that behave differently at higher and lower frequencies. At mid and high frequencies (above 200Hz), we can treat sound a bit like rays of light, which travel in straight lines.
Exploring Audio Control Room Acoustics-Part II | TV Tech
https://www.tvtechnology.com/opinions/audio-control-room-acoustics
High-end audio control rooms are designed with isolation in mind and are perfect studies in noise control. These rooms are actually built as a room within a room, with the outer room’s floor and thick walls connected to the building, and an inner room that is separated by an air cavity.
Exploring Audio Control Room Acoustics-Part I | TV Tech
https://www.tvtechnology.com/opinions/exploring-audio-control-room-acoustics
If we generate a 20 Hz sine wave and play it through speakers capable of reproducing it, the resulting waveform will be 56.5 feet long (68 degree air at 1,130 feet per second), though most people will feel this frequency rather than hear it. If instead we generate an easily heard 60 Hz sine wave, the resulting wavelength is 18.84 feet long.
Exploring Audio Control Room Acoustics-Part III | TV Tech
https://www.tvtechnology.com/opinions/exploring-audio-control-room-acoustics-272710
We need to calculate the fundamentals for height, length and width; then the harmonics by multiplying the fundamentals by two, three, etc. Charting these modes (Fig. 1) allows us to see which frequencies will cause problems in the room.
Control Room Acoustics | Home Theater Forum and Systems
https://www.hometheatershack.com/threads/control-room-acoustics.34951/
Doing some simple calculations, we can see that the nearest wall which offers direct reflection should be about 11 feet from the control position: 11 ft * 2 = 22 ft (the original signal travels past the engineer’s head, continues for 11 ft, strikes the wall, then continues back toward the engineer for an additional 11 ft.
Now you know Audio Control Room Acoustics
Now that you know Audio Control Room Acoustics, we suggest that you familiarize yourself with information on similar questions.
