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Standard mixing levels for movie theater, DVD, broadcast ...
https://gearspace.com/board/post-production-forum/229741-standard-mixing-levels-movie-theater-dvd-broadcast-tv-commercials-etc.html#:~:text=You%20have%20to%20determine%20your%20target%20dialnorm%20BEFORE,BUT%20commercials%29%20Every%20broadcaster%20has%20its%20own%20specs.
Audio levels for mastering and inter-sample speaks ...
https://ar-onlinemastering.com/blog/2016/09/22/audio-levels-inter-sample-peaks/
When delivering a track for mastering it’s best to keep the level below -3dBfs. In practice I have never seen any inter-sample clipping on audio …
4 Essential Mastering Levels Tips - Waves Audio
https://www.waves.com/essential-mastering-levels-tips
If you want to err on the side of caution (or if you’re mastering really loud music), try dropping it to -0.3 dBFS, which will avoid such peaks in even the …
Mastering With LEVELS – Mastering The Mix
https://www.masteringthemix.com/pages/mastering-with-levels
Mastering With LEVELS Jump to Peak, LUFS, Stereo Field, Loudness Range, Dynamic Range , Bass Space, Presets, Settings. Overview The home display has six sections labeled PEAK, STEREO FIELD, LUFS, LRA, DYNAMIC RANGE and BASS …
Headroom: How to Set Your Levels in Mixing and Mastering
https://www.izotope.com/en/learn/headroom-how-to-set-levels-mixing-and-mastering.html?&deliveryName=iZo11.20.2021SuitesNLDM
Most professional audio interfaces are designed such that +4 dBu on the analog side ends up being somewhere between -20 and -14 dBFS on the digital side. And this brings us to our headroom definition: Headroom is simply defined as the available level above the nominal level before clipping. That’s it!
Standard mixing levels for movie theater, DVD, broadcast ...
https://gearspace.com/board/post-production-forum/229741-standard-mixing-levels-movie-theater-dvd-broadcast-tv-commercials-etc.html
When authoring a pink noise reference DVD using Dolby and PCM, the PCM imatches the SPL levels that my DAW is cal'd to, but the Dolby playback is 5db quieter in outputing SPL levels. If you have dialnorm at -27 when encoding AC3 (which is usually the default), then you are instructing the player to attenuate the signal by 4dB in playback.
Audio Levels 101 – All You Need Is LUFS | Audiodraft
https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/
As a professional sound designer you will eventually stumble across technical terms referring to audio levels and loudness. A customer might tell you: “ we need a track with an integrated loudness of -23 LUFS, a dynamic range of ≤ 15 LU and a true peak of max -1 dBTP ”.
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