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The Loudness War: Who won and who lost? - SoundGuys
https://soundguys.com/the-loudness-war-51513/
How file metadata brought an end to the loudness war. Digital audio players and media playback software read metadata loudness values and adjust the playback level for each track accordingly–this has no negative impact on audio fidelity. The simple and ingenious way this works is to take the loud tracks and turn them down compared to the ...
The Loudness War
http://www.masteringaudioissues.com/the-loudness-war.html
The Loudness War in Audio Mastering refers to the practice of raising the level of the audio in the digital domain by severe compression for the purpose of sounding louder than other audio on the same platform. The implementation of this practice causes distortion and detriment to the quality of the audio recordings, and is driven by any number ...
Loudness War: How Mastering Levels Affect Your Sound ...
https://blog.landr.com/loudness-101/
Loudness and dynamics are two of the most important concepts in mastering. Mastering ensures your song is loud enough to compete in the marketplace of commercial tracks. And the biggest impact of the mastering process is loudness. It’s seems like there are endless arguments about the loudness war going on in the pro audio community.
The Loudness War - YouTube
https://www.youtube.com/watch?v=3Gmex_4hreQ
Spring 2016 - check out my updated course, Foundations of Digital Audio, at http://www.lynda.com/Acoustics-tutorials/Foundations-Digital-Audio/383529-2.htmlH...
Loudness War - Album list - Dynamic Range Database
https://dr.loudness-war.info/
Loudness War | Audio Science Review (ASR) Forum
https://www.audiosciencereview.com/forum/index.php?threads/loudness-war.314/
I got the weekly email today from AudioStream and in it Michael Lavorgna posted a link to this article. Help End The Loudness War, Please Sign This...
The In The Box Mastering Guide: Tackling The Loudness War
https://musictech.com/guides/essential-guide/mastering-guide-2016/
The process began with the introduction of EBU R128 in 2010, a set of recommendations regarding loudness set down by the European Broadcasting Union. This set of guidelines defined a new way of measuring loudness – the Loudness Unit (LU) – and recommended that broadcast audio be normalised at -23LU referenced to full-scale digital audio (LUFS).
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