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DAC1.1x | Audio Note (UK)
https://www.audionote.co.uk/dac1-1x
In other words, the Audio Note (UK) DAC1.1x has no over sampling, no jitter reduction, no noise shaping and no re-clocking. Having removed all of the digital filtering that is required for over sampling, all filtering is done in the analogue domain where it is easier to retain good, wide band phase-frequency and dynamically coherent behaviour.
Audio Note DAC 1 review – Ters Audio
https://www.tersaudio.com/audio-note-dac-1-review/
Audio Note DAC 1 review. by Andrew Smith Posted on May 4, 2020. Daring to be different seems to be part of Audio Note’s philosophy. But deviating too far from the beaten track sometimes brings the danger of incompatibility. Unfortunately, this is the case with the DAC 1, cheapest of five like-minded units all featuring Burr-Brown’s renowned ...
DAC0.1x | Audio Note (UK)
https://www.audionote.co.uk/dac0-1x
The DAC uses the revolutionary and currently exclusive Audio Note digital technology dubbed 1x oversampling™ direct from disc™ circuit topology. The technology in essence dispenses with all the correction measures inherent in all other D/A converters and presents the digital signal directly to the converter after reformatting.
Audio Note Dac 1.1x - Audiogon Discussion Forum
https://forum.audiogon.com/discussions/audio-note-dac-1-1x
A friend brought over Audio Note's cheapest, the Zero. Immediately, I noticed something different. With a 1.1x, I found I was hearing the material in a completely different way. As an artist, I look at it this way: Lots of people can draw fairly accurately, and certainly have fun tracing in every hair. Ah! but look at a Vermeer.
Audio Note DAC 1.1x – simply-HIFI.com
https://www.simply-hifi.com/products/audio-note-dac-1-1x
AUDIO NOTE - EXCLUSIV BEI UNS IM SHOWROOM - KEIN ONLINEVERSAND! AUDIO NOTE - EXCLUSIV BEI UNS IM SHOWROOM - KEIN ONLINEVERSAND! The Audio Note DAC 1.1x Digital to Analogue converter has been specifically engineered for sonic performance rather than technical specification, and fulfils all Audio Note (UK) Level 1 criteria.. Extensive research into the …
Audio Note UK DAC 0.1x Review - Dagogo
https://www.dagogo.com/audio-note-uk-dac-0-1x-review/
The Audio Note UK DAC 0.1x is part of Audio Note UK’s entry level zero system. At first glance, the DAC 0.1x can seem to be a tough sell in a 2018 marketplace with far more modern DA converters competitively priced, most of them having half a dozen inputs and outputs and impressive techno babble about their processing power and feature sets.
Audio Note UK DAC 2.1x Signature Review - Part-Time Audiophile
https://parttimeaudiophile.com/2018/07/07/beguiling-digital-audio-note-uk-dac-2-1x-signature/
Unexpected Pleasures. I wanted to share a few notes about the Audio Note UK () DAC 2.1x Signature that Mr. Q sent along with the CDT-Two/II transport that I so greatly admired.. The US price for the DAC2.1x Signature is $4,900. Like the transport, this DAC sits about mid-way through their “levels” of digital converter products.
Review: Audio Note CD4.1x Integrated Transport and DAC ...
https://www.resistormag.com/reviews/review-audio-note-cd4-1x-integrated-transport-and-dac/
Audio Note UK continues to only build stepped levels of the one-box CD transport/DAC along with standalone CD transports and DACs. It is only with the company’s new integrated amplifier/DAC – Cobra – that it has deigned to even include an USB input. Used CDs can be had for as little as $2~$5 at most record shops.
TNT : Audio Note DAC Kit 1.1 Listening Test
https://www.tnt-audio.com/sorgenti/audionote11kit_e.html
The Audio Note DAC was smoother, less 3D although still nicely open, but overall somewhat too soft and too sweet, robbing the music from its industrial menace. The next disc, something else altogether with Monteverdi's Vespra Della Beata Vergine set in the San Marco in Venise, gave rise to the same pattern: the Audio Note was fluid, quite large ...
DACs | Audio Note (UK)
https://www.audionote.co.uk/dacs
The precision of reality. Ever since its introduction, we at Audio Note have been highly critical of digital music reproduction. This dissatisfaction was the instigating force in our quest to make digital playback more dynamically realistic and less fatiguing. Although we cannot defeat the inherent limitations of the format and its recording ...
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