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44.1kHz vs 48kHz Audio – Which Is Better? | Pro Tools ...
https://www.protoolsproduction.com/44-1khz-vs-48khz-audio-which-is-better/
The standard format for audio CDs is 16-bit/44.1 kHz. If you record at a higher sample rate, the sample rate needs to be converted to 44.1 kHz. …
Explanation of 44.1 kHz CD sampling rate - Columbia University
http://www1.cs.columbia.edu/~hgs/audio/44.1.html
50 X 294 X3 = 44.1 Khz. The sampling rate of 44.1 KHz came to be that of the Compact Disc. Even though CD has no video circuitry, the equipment used to make CD masters is video based and determines the sampling rate.
Audio quality: Understanding bits, sample rate and formats
https://blog.hotmart.com/en/audio-quality/
In certain cases, for those who work exclusively with audio (especially music), it might be a good idea to stick to 44.1 kHz, because although CDs are no longer used, they are still be main physical media for music consumption. Actually, you’ll hardly have problems converting one standard into another.
Recording at 44.1khz vs 96khz vs 192khz vs 48khz. What Are ...
https://littlecornerofamusiclover.com/recording-at-44-1khz-vs-96khz-vs-192khz-vs-48khz/
44.1 kHz is the most popular file sample rate. This rate is the industry standard for most audio, such as CDs. This is not just a random number. Levels between 20 Hz and 20 kHz are audible to humans. Most people lose their capacity to hear higher frequencies throughout their lifetimes. They can only detect frequencies between 15 to 18 kHz.
Why Audio Formats Above 16-Bit/44.1 kHz Don't Matter ...
https://www.tomshardware.com/reviews/high-end-pc-audio,3733-18.html
Based on our experience, 16-bit and 44.1 kHz provides the best audio quality you're able to experience. Everything beyond that format tends to be a …
Sound Quality | TIDAL
https://tidal.com/sound-quality
HiFi audio is a superior sound but is still limited in its resolution—44.1 kHz /16 bit. TIDAL has partnered with MQA to deliver something substantially better: an authenticated and unbroken version (typically 96 kHz / 24 bit) with the highest possible resolution—as flawless as it sounded in the mastering suite.
Is 44.1kHz/24-bit really "audiophile?" | Steve Hoffman ...
https://forums.stevehoffman.tv/threads/is-44-1khz-24-bit-really-audiophile.420684/
44.1/24 probably does not meet a reasonable definition of hi res but it sure could for audiophile. Meets the definition as far as I'm concerned. I find the bit depth is what makes the most noticeable difference - it seems to have a dramatic impact on the realism of the bass. sunspot42, Mar 10, 2015 #13 bmoregnr Forum Rezident Location:
How To Understand Audio Quality Formats (WAV, MP3, …
https://blog.waproduction.com/how-to-understand-audio-quality-formats
The common standard for audio samples is 44.1 kHz/24-bit WAV or 48 kHz/24 -bit WAV. Video productions and trailer houses require 48 or 96 kHz WAV files, just because of the industry standards for DVD, Blu-ray A low-quality sample doesn’t have the resolution required to withstand any processing or added effects
Amazon Music - 24/44.1 material is "Ultra HD"? | Audio ...
https://www.audiosciencereview.com/forum/index.php?threads/amazon-music-24-44-1-material-is-ultra-hd.16203/
There is something that is very clear: the CD quality is 16/24 bits 44.1 kHz when studio masters are 24 bits 96 kHz both uncompressed. But is the modern world (streaming), the sound track arrive to your home using the broadcast/IT architecture of your provider. This architecture quite always use a compressed media pipe line.
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