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AUDIO VISUAL SYSTEMS GENERAL STANDARDS & …
https://its.unl.edu/pdfs/UNL%20ITS%20AV%20Design%20Standards%20Rev2%20Mar17.pdf
2. Davis and Davis, 1987 “Sound System Engineering” 3. Giddings, 1990, “Audio Systems Design and Installation” Section 5 - Physical Requirements for AV Systems . 5.1 Equipment Racks . Audio visual equipment is typically mounted in standard 19-inch racks. Racks must be provided with a
Electrical and Lighting Considerations when Building or ...
https://badracket.com/electrical-and-lighting-considerations-when-building-your-recording-studio/
Power Consideration for Recording Studios A regular 100a or 400A breaker box is usually sufficient for a large setup. Several 15A circuits for lights, and several 15A circuits for the stage or performance space. A separate circuit for any heavy duty power amplifiers or power supplies is also wise.
Power & Electrical Safety On Stage - Sound on Sound
https://www.soundonsound.com/sound-advice/power-electrical-safety-stage
For smaller indoor events, a single 13-Amp fused RCD plug feeding into a multi-way distribution board (four or six sockets) is fine, as the total current can't exceed the 13-Amp fuse rating in your RCD plug. From this distribution board you should try, where possible, to connect direct to equipment, or feed the equipment in logical groups.
Simple Power Distribution for Audio Recording Applications
http://www.tangible-technology.com/power/p2/power_2.htm
Current is measured without making a physical or electrical connection, proving that wires radiate an electromagnetic field. After measuring all of the circuit breakers to which all of the audio equipment is connected, add up each reading.
AUDIO SYSTEMS GUIDE - Shure
https://www.shure.com/damfiles/default/global/documents/publications/en/performance-production/audio-systems-guide-for-video-and-film-production-english.pdf-041a24efe18f0fd3f46465374fbe1839.pdf
Condenser microphones require electrical power to operate (usually between 11 and 48 volts DC). Phantom powering is a method of supplying that power through the microphone cable from a remote supply. This supply can be a stand-alone unit or may be incorporated in the audio recorder, mixer, audio interface, or, in some cases, the camera itself.
An Introduction to Audio Electronics: Sound, …
https://www.allaboutcircuits.com/technical-articles/introduction-audio-electronics-sound-microphones-speakers-amplifiers/
While the electret element itself does not require power (because its permanently charged) the overall electret microphone device requires a power supply because the integrated JFET needs bias current. Older electret microphones were known to deliver poor performance, but modern devices can compete with condenser microphones.
An Overview of Audio System Grounding & Shielding
https://www.bennettprescott.com/downloads/grounding_tutorial.pdf
The Physics Police Rule! The Electrical Environment. Regulations protecting us from electrocution and fire also play a big role in noise problems. NEC or “Code” requires 120-volt ac power distribution via a 3-wire system. Safety Groundingelectrically interconnects conductive objects to keep voltages between them safe, even if equipment fails …. Neutral (white) and safety ground …
Ultimate Guide to Sound Recording: Audio Gear and …
https://www.studiobinder.com/blog/sound-recording/
For example, 11kHz would be low-quality sound, and 48 kHz would be the standard for digital sound recording. Double systems also deliver greater bit depth. This term refers to how many different values of amplitude each sound sample possesses.
Electrical Audio
https://electricalaudio.com/
Electrical Audio is a two-studio complex located in Chicago, Illinois and owned by Steve Albini. Studio A is the larger, more comprehensive, and fancier of our two studios. Studio A has three performance spaces, and a large control room featuring a 48-channel Neotek Elite console and extensive analog outboard, as well as regularly-serviced Studer and Ampex ATR tape machines …
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