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48.048 kHz? - Trew Audio
https://www.trewaudio.com/articles/48048-khz/
Sound recorded at 48.048 kHz is pulledup, that is to say, it’s recorded at a sample rate that is 0.1% higher than standard 48 kHz sound. This is the same 0.1% difference that governs the relationship between 24 frame film or HD video and 29.97 fps NTSC standard definition video or 23.98 fps HD.
48048 question - Avid Pro Audio Community
https://duc.avid.com/showthread.php?t=143024
48048 question Post - Surround - Video ... so I can understand the audio mixer recording at 48048, that way I can do the pulldown at the front end. Loading the production audio at 48k would be nice -- we can maintain 48k throughout post. ... and the sample rate becomes 48048. Like the way Pro Tools calls a pull down "29.97 w/ a pulldown", but a ...
Accessible Horizon: Converting audio from 23.976 fps to ...
https://acchor.blogspot.com/2012/10/converting-audio-from-23976-fps-to-true.html
After importing convert the audio, modify the Sample Rate to 48048 and Frame Rate to 24 ND. Fixing the sample rate from 48048 to 48000 using Barba Batch. 1. Add the audio file that needs to be fixed from 48048 to 48000 Hz. 2. Click on the Conversion tab and select "Wave (.wav), 48000.00 Hz, interleaved ...
sox - Use ffmpeg to time-dilate and resample audio …
https://stackoverflow.com/questions/50416327/use-ffmpeg-to-time-dilate-and-resample-audio-without-changing-frequencies
This means that I need to time-dilate the audio so that there are 48048 samples where there were previously 48000 samples (it plays back 1.001 times slower) but still maintains that the final audio file's rate is 48000 samples per second. Ideally, also, I'd like to do this resample using the sox library option for FFMPEG since I hear it has ...
Table 1: Audio Post-Production on NTSC Video with Film ...
http://archive.digidesign.com/support/docs/FilmSync.pdf
48048 or 44144 (sample rate or D-A-D conver-sion required) Table 1: Audio Post-Production on NTSC Video with Film-Originated Material Delivery Format Audio Speed before Pro Tools Settings during source record Audio speed after source record Pro Tools settings while working
ASIO Exclusive Control - Software - Audiophile Style
https://audiophilestyle.com/forums/topic/55624-asio-exclusive-control/
30 frames of video and 48048 (== 48000 * 1001 / 1000) audio samples is delivered in 1.001 second. Only that practically all audio APIs have fixed buffer size and you need to deliver the same number of audio frames per DMA interrupt every time...
Sound Devices 744T timecode questions - Audio …
https://creativecow.net/forums/thread/sound-devices-744t-timecode-questions/
On the other hand, the manual says if you are going to be synching with 23.98 or 29.97 video and require audio pulldown, what you can do is select 48048kF, which will be audio that is recorded at 48048Hz but stamped at 48kHz, and this tricks an editing system that doesn’t recognize a 48048 sample rate into playing the sound back with pulldown ...
Bit exact audio in Reclock without any resampling | Page 5 ...
https://forum.redfox.bz/threads/bit-exact-audio-in-reclock-without-any-resampling.27610/page-5
When using this method, the audio is not at a sample rate of 48048, is still at a sample rate of 48000. Let me try an analogy to see if you understand it better. Let's consider a book with 110 pages, and two different readers: reader A which can read 10 pages/min and reader B that reads 11 pages/min.
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