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How to Set Audio Levels for Video
https://www.premiumbeat.com/blog/how-to-set-audio-levels-for-video/#:~:text=For%20safety%2C%20no%20peaks%20should%20be%20above%20-6db.,stay%20away%20from%200db%20as%20best%20you%20can.
True peak: why your songs should never peak above -1 …
https://www.mixinglessons.com/dbtp-decibel-true-peak/
As such, Spotify recommends that if your song has an integrated loudness of more than -14 LUFS, then it should peak no higher than -2 dBTP. Personally, however, I find -1 dBTP to be adequate as long as your short-term …
Audio Levels 101 – All You Need Is LUFS | Audiodraft
https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/
As a professional sound designer you will eventually stumble across technical terms referring to audio levels and loudness. A customer might tell you: “ we need a track with an integrated loudness of -23 LUFS, a dynamic range of ≤15 LU and a true peak of max -1 dBTP ”.
The Right Audio Levels for YouTube - Kevin Muldoon
https://www.kevinmuldoon.com/audio-levels-youtube/
I always normalize my audio to 0 dB before uploading to YouTube or otherwise deploying. As you'll learn if you watch this video normalization pushes the maximum peak in the audio file to 0 dB, so it never causes distortion. You can argue the technical merits of targeting -12 dB, but your volume will be lower than most other audio on the web, and they'll suspect that you’re out of …
Audio Normalization: Should You Normalize Your Tracks ...
https://blog.landr.com/audio-normalization/
The general rule is to keep your tracks’ peaks around 9-10 dBFS and the body of your waveform at around -18 dbFS. Gain staging is most important at your DAW session’s master bus. If you’ve left good headroom throughout your mix, you’ll have plenty of space at the master fader to ensure nothing will clip.
Digital Audio in Decibels & Final Cut Pro's Audio Peak ...
http://www.kenstone.net/fcp_homepage/dv_audio_peaks.html
Peak at -12 dB. For an example, lets say that we have audio of two actors in a conversation. We want to set the volume on the Timeline so that the loudest part of the conversation hits -12 dB on our meters. The distance between the -12 dB that we set for the audio and -1 dB the maximum allowable loudness for digital audio is called 'head room'.
The 6 dB of Headroom for Mastering Myth ... - Pro Audio …
https://theproaudiofiles.com/6-db-headroom-mastering-myth-explained/
It’s my belief that the suggestion of having your peaks at -3 dB or -6 dB dates back to the early days of digital audio when mixes were captured on a DAT (digital audio tape) or on an Alesis MasterLink two-track recorder, for example. You had to be careful not to clip the input which could easily sound bad.
How to Normalize Audio – What it is and Why You Need It
https://www.videoproc.com/audio-editor/normalize-audio.htm
Audio normalization can boost your audio to a target level by altering the amplitude of the overall recording by the same amount, while at the same time ensuring that the peak won't exceed 0dB to avoid clipping and distortion. Now this might sounds abstract to you. Let's try …
Fixing audio peaks? - Help/How To - Shotcut Forum
https://forum.shotcut.org/t/fixing-audio-peaks/1150
The “Compressor” filter works well for smoothing out short term audio peaks. You might also want to look into the audio “Normalize” filters which are better at adjusting the overall audio loudness. This video tutorial demonstrates how to use both of those filters: Thank you, I will give the compressor filter a whirl!
Maximum, Minimum and Peak Sound Level - NoiseMeters
https://www.noisemeters.com/help/faq/min-max-peak.asp
The Peak, referred to as the Lpeak or sometimes Lpk, is the maximum value reached by the sound pressure. There is no time-constant applied and the signal has not passed through an RMS circuit or calculator. This is the true Peak of the sound pressure wave. For a pure tone, the Peak will be 3 dB above the Maximum Sound Level.
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