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Audio Specs for Television Broadcast - Avid Pro Audio ...
https://duc.avid.com/showthread.php?t=131327#:~:text=The%20notes%20on%20audio%20levels%20read%20as%20follows%3A,average%20dialog%20should%20not%20be%20less%20than%20-8db%22.
Audio Specs for Television Broadcast - Avid Pro Audio ...
https://duc.avid.com/showthread.php?t=131327
"The audio dynamic range of program material must be suitable for television broadcast. Instantaneous audio peaks must not exceed +14db, average peaks should not exceed +2db, and average dialog should not be less than -8db". If -20 = 0, do we all understand this as *-6 = instantaneous audio peaks *-18 = average peaks *-20 = 0
broadcasting - Broadcast Television - Best specs to supply ...
https://video.stackexchange.com/questions/18311/broadcast-television-best-specs-to-supply-news-footage
As of 2018, just about all broadcast TV stations still transmit MPEG-2, even though the ATSC spec now allows for H.264. Audio is always AC3 stereo. 192 kHz is a good audio bit rate for broadcast TV. This is all going to change with ATSC 3.
Spot Specifications - National Media Spots
https://www.nationalmediaspots.com/spot-specifications.php
Audio levels for ALL channels can peak but not exceed -8dB. We will accept instances that exceed -8dB, but overall audio shall not exceed -8db Each spot’s content MUST BE EXACTLY 30 or 60 seconds in length The file name MUST BE “client name-spot name-date of upload” THE SPOT MUST BE TITLE and CENTER-CUT SAFE!! The Importance of 4:3 Center-Cut Safe
The Mixer's Guide to Loudness for Broadcast - iZotope
https://www.izotope.com/en/learn/the-mixers-guide-to-loudness-for-broadcast.html
It’s worth mentioning that prior to the creation of this legislation, the number one complaint to the FCC with regards to broadcast television was the unpleasant loudness of commercials. Since the time the act took effect on December 13, 2012, it’s worth noting that the number one complaint to the FCC in regards to broadcast television is ...
Post Production Audio: Broadcast Limiters and Loudness ...
https://soundgirls.org/post-production-audio-broadcast-limiters-and-loudness-metering/
In this PBS spec, the optimal average loudness is -24dB LKFS, but there is an acceptable loudness range (LRA) above and below +/-2 LU (“Loudness Units”). Basically that means your average loudness measurement can fall on or between -26dB LKFS and -22dB LKFS, but ideally you want to mix to hit at -24dB LKFS.
Broadcast Requirements for Commercials and Informercials ...
https://www.videouniversity.com/articles/broadcast-requirements-for-commercials-and-informercials/
Show title, version, producer, client, editor, production company, date produced, audio mix and length. 4 All spots must be on a separate master with bars, tone and slate. Each program must start at 1:00:00:00 (one hour) to comply with broadcast standards. 5 All duplicate masters or alternate versions must have matching time code of the original.
The Changing Deliverables Of Broadcast Audio | TV Tech
https://www.tvtechnology.com/opinions/the-changing-deliverables-of-broadcast-audio
In October 2015, the AES released technical document TD1004.1.15-10, “Recommendation for Loudness of Audio Streaming and Network File Playback ,” which recommends that streaming loudness not exceed –16 LUFS nor be lower than –20 LUFS, with peaks not to exceed –1.0 dBTP.
television - TV Broadcast Levels - Sound Design Stack Exchange
https://sound.stackexchange.com/questions/618/tv-broadcast-levels
From the BBC specs "Peak sound levels within the programme must not exceed PPM6: that is +dB with respect to the reference level of -18dBFS". Your tone should be 1KHz -18dBFS/PPM4. It will start at 09:58:30:00 and finish at 09:59:30:00. We work in NTSC as well as PAL, and the tone here is -20dBFS/PPM3.5, at 00:58:30:00 to 00:59:39:00.
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