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Audio Technica Atm25 Review - onheadphones.com
https://www.onheadphones.com/brand/audio-tecnica/audio-technica-atm25-review.html#:~:text=Audio%20Technica%20ATM25%20Review%20The%20microphone%20has%20a,low%20bass%20instrument%2C%20the%20bass%20cabs%20are%20fantastic.
User reviews: Audio-Technica ATM25 - Audiofanzine
https://en.audiofanzine.com/dynamic-microphone/audio-technica/ATM25/user_reviews/
The Audio-Technica ATM25 is a dynamic microphone that is suitable for use in the recording studio or on the stage. I've only used it for recording, but it would certainly work either way.
Audio-Technica ATM25 - User review - Gearspace.com
https://gearspace.com/board/reviews/687547-audio-technica-atm25.html
This mic has much more natural sound than a lot of other budget mics or mic's around the £120 mark. It has shallow dip in the mids that cleans up the tom's and has a really even tight bass response that is perfect for toms and makes a …
Audio Technica Atm25 Review - onheadphones.com
https://www.onheadphones.com/brand/audio-tecnica/audio-technica-atm25-review.html
Audio Technica ATM25 Review The microphone has a superb double-bass capability, which is especially suited for live performances. It provides a significant amount of gain before suffering from any feedback problems. Whether you are using kick drum, trombone, or any other loud and low bass instrument, the bass cabs are fantastic.
ATM 25 Background Heroes - Music Skanner
https://musicskanner.com/atm-25-review-background-heroes/
Audio-Technica ATM 25 is a hypercardioid dynamic microphone that comes in a very sturdy body made of metal. The membrane itself is protected by a solid metal cage which is additionally supported by a good quality black mesh wire. The design itself is pretty simple compared to some of the microphones which we can find on the market today.
Audio-Technica ATM25 | RecordingHacks.com
http://recordinghacks.com/microphones/Audio-Technica/ATM25
Hypercardioid Dynamic Microphone The ATM25 was a hypercardioid dynamic microphone intended for close instrument miking, especially drums and percussion. The mic’s polar graph showed a relatively consistent hypercardioid pickup pattern, with deep nulls at ±135° across much of the audible spectrum.
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