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HiFi Decoded: An Audiophile Terminology Guide

    https://www.moon-audio.com/audiophile-terms-guide#:~:text=Bright%2FBrightness%E2%80%93%20A%20boost%20in%20the%20upper%20frequencies%20or,Brilliance%E2%80%93%20High%20frequencies%20from%205kHz%20up%20to%2020kHz.
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Audio Dictionary: “Warm” vs “Neutral” vs “Bright,” and the ...

    https://xander51.medium.com/audio-dictionary-warm-vs-neutral-vs-bright-and-the-role-your-brain-plays-in-all-this-2ec761759f7b
    Bright “Bright” is the opposite of warm. Bright gear is better at reproducing high-pitched sounds. You’ll see phrases in reviews like “Sparkle,” “Crisp,” …

How to describe sound – An audiophile terminology …

    https://audiophileon.com/news/how-to-describe-sound-an-audiophile-terminology-guide/
    Bright/Brightness – usually displayed in the upper frequencies or upper mids. Brightness is a feature enjoyed by many but walks a thin line to becoming unpleasant due to a potential of treble peaking. Congestion – Sounds overlapping each other and …

HiFi Decoded: An Audiophile Terminology Guide

    https://www.moon-audio.com/audiophile-terms-guide
    Bright/Brightness – A boost in the upper frequencies or upper-mid range. Brightness is a feature enjoyed by many but walks a thin line to becoming unpleasant due to a potential of treble peaking. Brilliance – High frequencies from 5kHz up to 20kHz. Not enough? Sound will be …

Audio Terms Defined — HiFiGo

    https://hifigo.com/blogs/guide/audio-terms-defined
    Bright: Basically the opposite of dark, where the high-frequency is very prominent and forward in the mix, typically with the upper-mid frequencies being elevated as well. (Bright can also be used to describe the overall tone while applying the same rule as the “Dark” signature does)

Top 10 Audio Engineering Words — Sage Audio

    https://www.sageaudio.com/blog/mastering/top-10-audio-engineering-words.php
    Opposite to “Warm, the term “Bright” in audio refers to a sound with a slightly attenuated low-frequency range, and a boosted high-frequency range. “Bright” sounds are often characterized by their detail and clear transient response and can be accomplished with an equalizer, or a harmonic exciter.

What does warm and bright etc really mean in audio terms ...

    https://www.avforums.com/threads/what-does-warm-and-bright-etc-really-mean-in-audio-terms.632884/
    150-500 hz (lower mid) slight analog sound , realistic and ambient especially mid range and there is extended treble around 12-20,000 hz but the bass can be slightly "muddy". Arcam amps for example are usually "warm" to make listening more pleasant and unfatiguing during long periods.

Glossary - Teach Me Audio

    https://www.teachmeaudio.com/glossary/
    Bright - Listening term. Usually refers to the upper frequency energy. C. Capacitance - An electrical component's ability to store electrical charges. Capacitor - An electronic device which stores energy and releases it when needed. Cardioid Microphone - A unidirectional microphone with moderately wide front pickup (131 deg.). Angle of best rejection is 180 deg. from the front of …

Audio Terms and Definitions | Audioholics

    https://www.audioholics.com/how-to-shop/audio-terms-and-definitions
    Audio frequency - the acoustic spectrum of human hearing, generally regarded to be between 20 Hz and 20 kHz. Baffle - a board or other planar surface used to mount a loudspeaker. Bandwidth - the range of frequencies reproduced by an amplifier or transducer.

Live Sound Glossary of Terms - StageSource Speaker - …

    https://line6.com/support/page/kb/live-sound/stagesource-speaker/live-sound-glossary-of-terms-r97/
    Bright-Listening term, refers to trebly sound that has a lot of high frequency response. Clipping - Distortion as a result of the top of a digital waveform being cut off caused by a signal overloading a gain stage of a digital device.

Sounds Like? An Audio Glossary Glossary: A | …

    https://www.stereophile.com/content/sounds-audio-glossary-glossary
    An Audio Glossary Glossary: A The Glossary: A absolute phase, absolute polarity Refers to the preservation of the initial acoustic waveform all the way through the recording and reproducing system so that a compression that reaches the original microphone will be reproduced in the listener's system as a compression reaching his or her ears.

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