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Audio-Vision: Sound on Screen: Michel Chion, Claudia ...
https://www.amazon.com/Audio-Vision-Sound-Screen-Michel-Chion/dp/0231078994
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception.
Audio-Vision: Sound on Screen
https://www.degruyter.com/document/doi/10.7312/chio18588/html
When Audio-Vision first appeared in 1994, it became a lifeline for the burgeoning field of sound/media studies, providing a veritable roadmap to a discourse just beginning to crystallize. The second edition is no less momentous; Chion seamlessly brings current cinematic offerings into his theoretical purview, showing that his understanding of the filmic soundspace …
Audio-vision: Sound on Screen - Michel Chion - Google …
https://books.google.com/books/about/Audio_vision.html?id=BBs4Arfm98oC
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the...
"Audio-Vision: Sound on Screen" by Michel Chion and ...
https://digitalcommons.tacoma.uw.edu/ias_books/37/
Description. In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we …
Audio-Vision: Sound on Screen | Columbia University Press
https://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899
When Audio-Vision first appeared in 1994, it became a lifeline for the burgeoning field of sound/media studies, providing a veritable roadmap to a discourse just beginning to crystallize. The second edition is no less momentous; Chion seamlessly brings current cinematic offerings into his theoretical purview, showing that his understanding of the filmic soundspace is as …
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