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Table of Contents
http://www.strangeloop.co.uk/Dr.%20M.Grierson%20-%20Audiovisual%20Composition%20Thesis.pdf
Mick Grierson So in audiovisual composition and analysis, added value shifts the focus from separate audio and visual components, to the relationship between audio and visual components. This is particularly the case where a work …
Audiovisual Composition
http://phd.lewissykes.info/webdisk/foriPadAir/article_grierson.pdf
Audiovisual Composition The relationship between sonic and visual material is complex. Essentially, both sonic and visual material yield effects of their own when experienced in isolation. These effects are difficult to discuss in themselves, let alone in combination. Chion states that when combined, new effects are apparent.
Audiovisual art - Wikipedia
https://wiki-mirror.cla.umn.edu/wiki/Audiovisual_art
Michael Faulkner/D-FUSE, "vj audio-visual art + vj culture", Laurence King Publishing Ltd, 2006 Mick Grierson, "Audiovisual composition", into the pill, 2007 [4] Holly Rogers, Sounding the Gallery: Video and the Rise of Art Music (New York: Oxford University Press, 2013).
Notes on Audio-Vision and related concepts
https://www.slideshare.net/CorreiaNuno/notes-on-audio-vision
Mick Grierson’s Audiovisual Composition" 17. Audiovisual Composition" • Conventionally, audiovisual composition may be taken to mean the process of putting sound and music to visual material in order to create a 'soundtrack' to an existing film or animation.
Audiovisual Composition | Third Eye
https://mythirdeyeworld.wordpress.com/tag/audiovisual-composition/
The visuals will be split between the figure and ground, with audio-reactive visual effects being mapped onto the objects in the foreground and pre-composed textures and effects in the background. One video is going to be split into 4 x 4 grid, creating sixteen sections that will be mapped to the front two faces of the cubes.
Prof Mick Grierson | Goldsmiths, University of London
https://www.gold.ac.uk/computing/people/m-grierson/
Parag, K; Grierson, Mick and Smith, Tim J. 2013. Corpus-Based Visual Synthesis: An Approach for Artistic Stylization. In: , ed. Proceedings of the 2013 ACM Symposium on Applied Perception (SAP ’13). New York: ACM, pp. 51-58. Grierson, Mick and Boon, Tim. 2013. The Oramics Machine: The Lost Legacy of British Electronic and Computer Music. In ...
Synchronicity = Simplicity? | Third Eye
https://mythirdeyeworld.wordpress.com/ramblings/synchronicity-simplicity/
Lipscomb, S. D. (2005) ‘The Perception of Audio-visual Composites: Accent Structure Alignment of Simple Stimuli’. 2. Grierson, M. (2007) ‘ Audiovisual Composition’.
Audiovisual art - Wikipedia
https://en.wikipedia.org/wiki/Audiovisual_art
Michael Faulkner/D-FUSE, "vj audio-visual art + vj culture", Laurence King Publishing Ltd, 2006 Mick Grierson, "Audiovisual composition", into the pill, 2007 [4] Holly Rogers, Sounding the Gallery: Video and the Rise of Art Music (New York: Oxford University Press, 2013).
(PDF) GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 …
https://www.researchgate.net/publication/255639389_GOLDSMITHS_ELECTRONIC_MUSIC_STUDIOS_40_YEARS
Audio visual Composition. Mick Grierson joined EMS in 2006 as an AHRC Fellow. in the Creative and Performing Arts, to r esearch . audiovisu al composition an d …
Audiovisual Harmony: The realtime audiovisualisation 1 …
https://www.cambridge.org/core/journals/organised-sound/article/audiovisual-harmony-the-realtime-audiovisualisation-1-of-a-single-data-source-in-construction-in-zhuangzi/6783BF32DC5FE3064A0C293F97198CCA
The musical texture that Whitney used as a metaphor to describe his solution for the integration of image and sound towards the end of his career was counterpoint: ‘I aspire to compose both visual and audio “voices” independently, discovering and creating while performing a counterpoint or dialog between these voices’ (Whitney Reference Whitney 1994: 50). This is partly a return to …
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