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Audio Levels 101 – All You Need Is LUFS | Audiodraft
https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/#:~:text=Especially%20in%20broadcast%20media%20%28TV%2C%20radio%2C%20etc.%29%20there,annoying%20dynamic%20bumps%20between%20commercials%20and%20programme%20audio.
Introduction to Broadcast Loudness Standards — Pro …
https://theproaudiofiles.com/introduction-broadcast-loudness-standards/
In the US, the measurement value is called Loudness K-weighted Relative to Full Scale (LKFS), and the required value is -24dB. For $699, Dolby …
5 Broadcast Audio Spec Sheet Terms Every Editor Must ...
https://blog.frame.io/2017/08/09/audio-spec-sheet/
Audio Levels 101 – All You Need Is LUFS | Audiodraft
https://www.audiodraft.com/blog/audio-levels-101-all-you-need-is-lufs/
Especially in broadcast media (TV, radio, etc.) there are standards that require the audio to have a strictly defined integrated loudness level, most …
Audio levels – IPS
https://ips.org.uk/encyclopedia/audio-levels/
The standard Alignment Level employed by UK broadcasters is 0 dBu, shown on peak programme meters as PPM4, and on standard VUs as 0VU (or -4VU in some establishments). However +4 dBu is a common operating level in many music studios and professional equipment is often aligned to this standard. dBV
Levelling and Loudness - in radio and television …
https://tech.ebu.ch/docs/techreview/trev_297-spikofski_klar.pdf
Audio levels in studio and transmission environments Recommendations for analogue & digital audio levels Alignment Level (AL) Œ9 dB (35%) Nominal Level (PML) a 0 dB (100%) a. PML = Permitted Maximum Level ITU-R BS.645-2 Transmission Level (international) 0dBub b. 0 dBu = 0.775 V rms (sine wave) = 1.1 V peak +9 dBu ARD HFBL-K Studio Level (national)
The Right Audio Levels for YouTube - Kevin Muldoon
https://www.kevinmuldoon.com/audio-levels-youtube/
Some set their max audio level to -6 dBFS, some to -9 dBFS, and another at -12 dBFS. They all seem to follow the guidelines of setting audio between -6 dBFS and -12 dBFS. YouTuber Andrew Flint also mentioned that he was advised at University to always keep voice peaks at between -6 dBFS and -12 dBFS.
Post Production Audio: Broadcast Limiters and Loudness ...
https://soundgirls.org/post-production-audio-broadcast-limiters-and-loudness-metering/
The PBS specs were written in 2016 (before 1770-4 came out). Broadcasters update these every couple of years, especially as technology changes. In this PBS spec, the optimal average loudness is -24dB LKFS, but there is an acceptable loudness range (LRA) above and below +/-2 LU (“Loudness Units”).
Standard mixing levels for movie theater, DVD, broadcast ...
https://gearspace.com/board/post-production-forum/229741-standard-mixing-levels-movie-theater-dvd-broadcast-tv-commercials-etc.html
In a perfect world, you would calibrate your listening environment to the ITU-R BS.775-1 standard (-20dBFS pink @79dB SPL/C/slow), [or EBU 3276 and EBU 3276-S if you are in Europe] and then mix by ear. In that case you would get average dialogue levels at around …
Broadcast Audio levels for television.
http://www.lafcpug.org/phorum/read.php?1,193504,193534
The reference tone (from the Effects Tab) is -12 and the show is expected to peak at -6 to -4. Just like the video demo shows. People who never experience analog television figured out that if you put DV tone on the timeline (-12) but broadcast level show (also around -12), …
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