We have collected the most relevant information on Bus Audio Side Chaining. Open the URLs, which are collected below, and you will find all the info you are interested in.
Setting Up Side-chaining in Wwise
https://www.audiokinetic.com/library/edge/?source=Help&id=setting_up_sidechaining_wwise
Insert a Wwise Meter Effect on a bus: The second step consists of inserting the Wwise Meter Effect on the bus whose audibility is to be ensured, in this case, the PC_Weapon, and selecting the output game parameter. The Wwise Meter Effect monitors the input audio signal. When the Effect is used for side-chaining, the Mode, Attack, Release, and Hold parameters are used to slow …
Sidechaining: How It Works, Why It's Cool
https://www.sweetwater.com/insync/sidechaining-how-it-works-why-its-cool/
Create a bus with reverb, set for a long decay time (like 10 seconds). In the snare track, insert a send that feeds the reverb bus. Insert a gate after the reverb. Set its attack (and hold control, if available) to 20ms, and release to around 250ms. Insert a send in the kick drum track and assign it to the gate’s sidechain input.
What is Sidechaining? This Pro Mixing Trick Will Evolve ...
https://ledgernote.com/columns/mixing-mastering/what-is-sidechaining/
In the case of sidechain compression, we'd assign a compressor to the bass track but select the kick drum bus as the sidechain. This makes it so that the bass will be compressed only when the kick drum occurs. You can see this in the image below. This is called ducking and is the act of making the bass' volume reduce itself whenever the kick fires off. When done subtly, …
Side-chaining In Your Software Studio
https://www.soundonsound.com/techniques/side-chaining-your-software-studio
Side-chaining In Popular Sequencers. Selecting bus 2 as the side-chain input signal in Digital Performer. Not all sequencers approach side-chaining in the same way. Pro Tools and Logic seem to have pretty flexible and intuitive routing systems. Digital Performer also has some good side-chaining options for both audio and MIDI signals and these were covered in an article on …
How to Sidechain — Sage Audio
https://www.sageaudio.com/blog/mastering/how-to-sidechain.php
Stereo Widening with Internal Side-Chain. If the compressor you’re using allows for it, you can switch your signal from left and right to mid and side – then you can increase the input of the mid chain to cause more compression to the mids. The side will be louder by comparison, causing dynamic stereo expansion.
Now you know Bus Audio Side Chaining
Now that you know Bus Audio Side Chaining, we suggest that you familiarize yourself with information on similar questions.
