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Buzz Audio DBC-20 - Sound On Sound
https://www.soundonsound.com/reviews/buzz-audio-dbc-20
Overview. Although it's fair to say that the Buzz Audio DBC-20 was broadly inspired by the Neve 2254, it isn't a copy or clone in any way. The amplifier stages in this elegant 1U rackmounting box (which extends around 250mm or 10 inches behind the rack ears) are all built using Buzz Audio's established BE41 discrete Class-A modules in a fully ...
Buzz Audio SOC-20 - User review - Gearspace.com
https://gearspace.com/board/reviews/1233425-buzz-audio-soc-20-a.html
Buzz Audio SOC 20 is a two channel opto compressor. The channels can work independently or in stereo link mode, and it can also be used it in M/S mode. SOC 20 is based on Buzz Audio SOC 1.1. Compared to SOC 1.1, SOC 20 has more controls and Lundahl output
Buzz Audio DBC-20 - User review - Gearspace.com
https://gearspace.com/board/reviews/1010202-buzz-audio-dbc-20-a.html
4.75 out of 5, based on 1 Review The DBC-20 is a stereo diode-bridge compressor, designed by Buzz Audio. It is inspired by vintage designs, but it has a sound and operation that is unique, and offers a wide variety of tones, from vintage squash to transparent control.
SOC-20 TapeOp Review - Buzz Audio
https://www.buzzaudio.com/products/soc20reviews.htm
This impressive reputation made me curious enough to buy Buzz Audio's top-of-the-line compressor, which has achieved less visibility so far. The SOC-20 sells for just under US$3,000 street, which prices it comparably to other stereo electro- optical compressors like the Manley ELOP and the Pendulum Audio OCL-2.
Buzz Audio QSP-20 Preamp | FrontEndAudio.com
https://www.frontendaudio.com/buzz-audio-qsp-20-preamp/
The Buzz Audio QSP-20 Preamp's audio input feeds directly into our Class A discrete BE41 amplifiers via high end Wima coupling capacitors for the ultimate in clarity and low noise. High current line drivers then excite the Lundahl LL1517 output transformer, which adds a subtle warmth to the sound.
Buzz Audio MA 2.2 - Sound On Sound
https://www.soundonsound.com/reviews/buzz-audio-ma-22
The upper end seemed slightly smoother and a tad more extended on the GML (but there was very little in it), and the Buzz seemed to sound a little 'bigger' overall. The MA 2.2 is very quiet (despite the disconcerting specs) and seemed to cope with everything I threw at it very well.
Buzz Audio: MA-2.2 TX mic preamp | Tape Op Magazine ...
https://tapeop.com/reviews/gear/57/ma-22-tx-mic-preamp/
It is a very quiet preamp-even at maximum gain-and works astoundingly well with low-output ribbons, even with quiet source material. I found myself reaching for the MA-2.2 TX in almost any application I could and was never disappointed. I enjoyed it the most using it on vocals, drum overheads, horns, harmonica, and acoustic string instruments.
Pro Audio Products - Buzz Audio
https://www.buzzaudio.com/
"It is very clean-sounding and extremely fast for an opto-based compressor." "Killer 2-Bus units, phenomenal on kick drums & bass and a great lead vocal compressor." check it out the mix buss There is a view that optical compressors are too slow to use on a stereo mix.
Buzz Audio Essence | Gearshoot
https://www.gearshoot.com/gear/compressors-and-limiters/buzz-audio/buzz-audio-essence/
Creative versatility. The essence is the only 500 series compressor (that we know of) to feature a side chain insert point so you can apply equalisation to the compression characteristic to control certain parts of the audio spectrum. The insert can also be used to "key" the compressor from another sound for all sorts of creative pumping effects.
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