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XL1 Audio with Canopus DVRaptor and DVRex M1 by Charles ...

    https://www.dvinfo.net/canon/articles/article72.php
    (XL1 cameras may take too many audio samples which over a long capture (5+ minutes) can lead to out of sync audio.) I was also aware that the new Canon GL1 cameras corrected this problem so that the automatic resampling by the DVRaptor actually caused their audio to go out of sync. The solution provided by Canopus personnel was to add the line: "CanonAudio1=-1" to the …

XL1 Audio Step by Step, Part Two provided by Canon USA

    https://www.dvinfo.net/canon/articles/article69.php
    Also, a few other important terms are explained along with the steps to select the audio output when the XL1 is in VCR playback mode. This second part of Canon USA's XL1 Audio Step-by-Step continues now, starting with a description of the three digital audio modes available in the XL1. 16-bit stereo (48kHz, 2 channel) for the highest sound quality. "16-bit" refers to the amount of …

XL1/GL1 Audio Help - Canon Cameras - Creative COW

    https://creativecow.net/forums/thread/xl1gl1-audio-help/
    Forums › Canon Cameras › XL1/GL1 Audio Help. ... A DAT machine, with or without timecode, will gain you nothing for “sync” problems. A miniDisc is “dead-on” accurate for timing/syncing purposes (just like a DAT, CD, or your camcorders).

Canon U.S.A., Inc. | XL1

    https://www.usa.canon.com/internet/portal/us/home/products/details/camcorders/support-professional-camcorders/xl1
    Just as Canon's Hi8 camcorders have set the standard time and time again, the XL1 is Canon's new flagship camcorder and the product that defines the leading edge of Digital Video. A combination of exclusive and innovative Canon optical and digital technologies have come together to bring you the new XL1 Digital Video Camcorder, the world's ...

Canon U.S.A., Inc. | XL1S

    https://www.usa.canon.com/internet/portal/us/home/products/details/camcorders/support-professional-camcorders/xl1s
    Simply select the AV Insert option from the top grip handle controls, connect the input device and record. <br/> Audio and Video Outputs<br/> <br/> Composite / S-Video / Audio Outputs<br/> Audio output is accomplished via the same ports used for input. Audio 1 ports on the back AV panel and Audio 2 ports on the right side of the handle.

MicPre Quality in Canon XL-1 - Google Groups

    https://groups.google.com/g/rec.arts.movies.production.sound/c/BkvKONeZZ88
    The XL-1 has an accessory plug in shoulder pad which is a mike level audio input with XLRs! Danger! This is a noisy input. The amplifier is said to have 7 dB gain, but this is not true. The RCAs...

XL1 - Canon Camera Museum

    https://global.canon/en/c-museum/product/dvc666.html
    The XL1 features an exclusive XL lens-mount system which, when used with an optional EF mount adapter, allows the camcorder to utilize a range of Canon’s extensive lineup of EF lenses for EOS 35mm cameras. It also accommodates an optional 1.6x XL extender which increases lens magnification by 60%.

Audio lip sync - vegascreativesoftware.info

    https://www.vegascreativesoftware.info/us/forum/audio-lip-sync--18303/
    I noticed that as the song progressed it became increasingly more out of sync. Never got a definitive answer, just one of those thing I guess. In my case was shot and edited at the same frame rate, cd player was not a cheapie, no variable speeds, was plugged in, and the camera was a Canon XL1 and a Sony DV-G900.

Final Cut Pro 2.0 - Settings - Kenneth Stone

    http://www.kenstone.net/fcp_homepage/fcp_2_setup.html
    'Sync Adjust Movies Over'. This setting is exclusively for tapes shot with the Canon XL1 which does not record audio at exact audio sample rates of 32k and 48k. It will compensate for audio sync drift on clips over 5 minutes. For source tapes shot with all other cameras, turn this feature off. 'Still/Freeze Duration'.

Innovative Camcorder is Worth the High Price - Videomaker

    https://www.videomaker.com/article/c5/3263-innovative-camcorder-is-worth-the-high-price
    Audio, likewise, comes through clean and clear on the XL1. The camera gives a choice between one 16-bit stereo audio track and two 12-bit stereo tracks. Also, if you're using the 12-bit tracks, you can plug a CD player or other line-level stereo audio source into an extra set of audio inputs located on the XL1's handle and perform audio dubs right in the camera, without …

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