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Cantar audio Files - Avid Community
https://community.avid.com/forums/p/203745/911361.aspx
Forums » Professional Video Editing & Finishing Forums » Avid Media Composer - PC » Cantar audio Files. Latest post Sun, Aug 8 2021 1:46 PM by David Yardley. 1 replies. Page 1 of 1 (2 items) Sort Posts: Previous Next: Sat, Aug 7 2021 8:13 PM ...
(r3)
https://www.aaton.com/sites/default/files/pdf/cantar2/cantar-post-chain-26-r3.pdf
function which back converts the Video-Audio-EDL into an Audio-Audio-EDL by using the video/audio links stored in the Aaton-ATN database built while syncing the rushes. This Audio-Audio-EDL can then be ingested by Titan3 to autoconform the Cantar original audio files like in the Aor B flow-charts above.
CantarX3 - Aaton Digital
https://www.aaton.com/cantar-x3/overview
The CantarX3 has incredible features and tools to facilitate and enhance the work of sound engineers, widely used in the film and broadcast industry, it is the most advanced recorder of its generation packed with an impressive array of professional and innovative features. Display visible in all conditions
Cantar PostChain2 - ADM
http://associationdesmixeurs.fr/wp-content/uploads/2015/10/cantar-postchainnew.pdf
Cantar’s unique Filetag and Workday based structure makes for simple and reliable workflow to Avid™, FCP, ProTools™, Pyramix™, etc. Cantar’s audio tracks are recorded in monophonic “iso” files carrying a unique file name, stored in working dayfolders under the project’smain folder.
Aaton Cantar-X1 2 - Aaton Digital
https://www.aaton.com/sites/default/files/pdf/cantar2/cantar_manual-244r15.pdf
The Cantar interface is the easiest to use under the most technically demanding conditions: • It offers the largest display surface of all portable recorders, which simultane- ously shows every critical recording parameter. • The high contrast displays remain viewable under bright light (sun, sand, sea, snow, storm), and at low temperatures too.
Autosync and collapse audio tracks - Avid Community
https://c2.avid.com/forums/t/133973.aspx
First Matchframe should pop up the synced clip with those mixdown tracks. If you then deselect V1 on the _source_ monitor and hit MatchFrame again, that should give you the original audio masterclip (slightly depending on how you imported the Cantar files, and what type they are: BWF-M [which is one file per track per event] or BWF-P [which is one file per event, …
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