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Interview with China Miéville - The White Review
https://www.thewhitereview.org/feature/interview-with-china-mieville/
Interview with China Miéville. IT IS A CLICHÉ TO SAY THAT A WRITER’S WORK RESISTS CLASSIFICATION. It is ironic then that China Miéville, among the most ambitious, imaginative and unconventional novelists at work in the world today, should so actively endorse his own writing’s categorisation by genre. A three-time winner of the ...
China Miéville: an interview with the author and an ...
https://www.calvertjournal.com/features/show/8314/revisiting-revolution-china-mieville-interview-extract-october
China Miéville: an interview with the author and an extract from his new history of 1917. ... revisiting revolution october china mieville.
Unsolving the City: An Interview with China Miéville ...
https://www.bldgblog.com/2011/03/unsolving-the-city-an-interview-with-china-mieville/
The work of novelist China Miéville is well-known—and increasingly celebrated—for its urban and architectural imagery. In his 2000 novel Perdido Street Station, for instance, an old industrial scrapyard on the underside of the city, full of discarded machine parts and used electronic equipment, suddenly bootstraps itself into artificial intelligence, self-rearranging into …
Interview with China Miéville - Goodreads News & …
https://www.goodreads.com/interviews/show/1092.China_Mi_ville
Interview with China Miéville Posted by Goodreads on January 4, 2016 74 likes · 20 comments. Share. China Miéville is a literary pioneer, an explorer of the shadowy pathways that run in the spaces between rigidly defined genre categories. The scramble for commercial success holds no allure for him.
Interview: China Miéville - Lightspeed Magazine
https://www.lightspeedmagazine.com/nonfiction/feature-interview-china-mieville/
Interview: China Miéville. China Miéville is the bestselling author of many novels, including the Bas-Lag series, consisting of Perdido Street Station, about a grotesque steampunk city teeming with monsters, The Scar, about a floating city built from pirate ships, and Iron Council, about a rebellious train crew who tear up the tracks behind ...
Interview with China Mieville - Sequart Organization
http://sequart.org/magazine/9367/interview-with-china-mieville/
Being able to interview China Mieville was one of the most amazing and frightening experiences I’ve ever had. “Amazing” because his work doesn’t just encompass that word, but it surpasses it, redefines it, and then makes it moot. “Frightening” because I had no clue what to ask him.
An Interview with China Mieville - Believer Magazine
https://believermag.com/an-interview-with-china-mieville/
An Interview with China Mieville. There is an almost universal human desire to dislike those who accomplish great things. Take China Miéville, for instance. He wrote a novel, Perdido Street Station, that single-handedly changed the rules of the fantasy genre, and he did it before he turned thirty.
In a Carapace of Light: A Conversation with China Mieville ...
https://clarkesworldmagazine.com/mieville_interview/
Subscribe to Clarkesworld and never miss an issue of our World Fantasy and Hugo Award-Winning Science Fiction and Fantasy Magazine. This page: In a Carapace of Light: A Conversation with China Mieville by Jeremy L. C. Jones
Mapping The City & The City: an interview with China ...
https://www.tor.com/2009/06/01/an-interview-with-china-mieville/
China Miéville is one of fantasy’s most recognizable names and one of its most distinctive, brightest voices. Having made a promising debut with 1998’s King Rat, he is best known for his multiple...
3am Interview: THE ROAD TO PERDIDO: AN INTERVIEW WITH ...
https://www.3ammagazine.com/litarchives/2003/feb/interview_china_mieville.html
THE ROAD TO PERDIDO: AN INTERVIEW WITH CHINA MIEVILLE "Obviously music was a big influence on King Rat. It was written during the high point of Drum n' Bass. That was what I was listening to at that point. King Rat is above all a London novel but coming close behind it is also a music novel. The other two novels haven't been quite like that.
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