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The second practice and new approaches to dramatic music ...
https://musichistorycoursenotes.wordpress.com/2020/11/05/the-second-practice-and-new-approaches-to-dramatic-music/
In the 1590s, a new musical style emerged. This style is often called the “second practice,” in reference to an acrimonious debate between the composer Claudio Monteverdi and the music theorist Giovanni Maria Artusi.In a book subtitled “the imperfections of modern music” (1600), Artusi criticized Monteverdi’s free use of dissonance in his madrigals (unresolved 7ths! …
Second Practice | Baroque Era Music History
https://loweba.wordpress.com/tag/second-practice/
These characters discuss, in detail, certain aspects of Claudio Monteverdi’s new music. They attack his unconventional treatment of dissonance, as Monteverdi calls the seconda practica or “second practice,” and overall say that this treatment is sinful against nature itself because it goes against the rules that all music up to this point ...
HOASM: Monteverdi and Seconda Prattica
http://www.hoasm.org/VB/SecondaPrattica.html
1. Monteverdi's brother, Giulio Cesare, outlines what Claudio himself meant by the term prima prattica, in a manifesto printed with the Scherzi Musicali published in 1607: "By First Practice he understands the one that turns on the perfection of the harmony, that is, the one that considers the harmony not commanded, but commanding, not the servant, but the mistress of the words, …
'Seconda Pratica': A Background to Monteverdi's …
https://www.jstor.org/stable/730115
TO MONTEVERDI'S MADRIGALS BY DENIS ARNOLD ... I A. A. Abert, 'Claudio Monteverdi und das musikalische Drama' (Lippstadt, I954)-34I. judged it well to follow the usages of the moderns, and in particular ... supported by Artusi; and a new "second practice". By Second Practice, which was first renewed in our notation by ...
Timeline 015: Claudio Monteverdi, Prima Prattica And ...
https://www.vpr.org/vpr-classical/2015-08-03/timeline-015-claudio-monteverdi-prima-prattica-and-seconda-prattica
Timeline 015: Claudio Monteverdi, Prima Prattica And Seconda Prattica. Claudio Monteverdi's works mark the boundary between the Renaissance and the Baroque. There are individuals in music history that stand as pillars, whose life and work help us delineate the various eras of musical practice. One such individual was the Italian composer ...
THE LANGUAGE OF LAMENT: GIACHES DE WERT AND …
https://etda.libraries.psu.edu/files/final_submissions/11799
Monteverdi’s Affective Style After His Third Book By Second Practice, which was first renewed in our notation by Cipriano de Rore (as my brother will make apparent), was followed and amplified, not only by the gentlemen already mentioned, but by Ingegneri, Marenzio, Giaches de Wert, Luzzasco, likewise by Jacopo Peri, Giulio Caccini, and finally
Claudio Monteverdi — 1610 Vespers - Music of the Baroque
https://www.baroque.org/seasons/2015-2016/monteverdi-vespers/
Monteverdi’s brother responded on the composer’s behalf, using the famous phrase seconda prattica (second practice) to describe “that style which is chiefly concerned with the perfection of the setting; that is, in which harmony does not rule but is ruled, and where the words are the mistress of the harmony.” Whereas other composers ...
Seconda pratica - WikiMili, The Best Wikipedia Reader
https://wikimili.com/en/Seconda_pratica
In the first part of The Artusi (1600), Artusi had severely criticized several unpublished madrigals of Claudio Monteverdi. In the second part of this work, L'Ottuso Accademico, whose identity is unknown, defends Monteverdi and others "who have embraced this new second practice". [1]
The Monteverdi / Artusi Controversy - Composer
http://www.toddtarantino.com/hum/artusi.html
Monteverdi's dedication was answered by a now-lost discourse by a certain Antonio Braccino da Todi, likely a pseudonym for Artusi. A second response came in the form of a gloss on Monteverdi's dedication written by his brother, Giulio Cesare Monteverdi and published in Monteverdi's 1607 collection of musical miscellany titled Scherzi Musicale.
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