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Monteverdi and Seconda Prattica - HOASM
http://www.hoasm.org/VB/SecondaPrattica.html
1. Monteverdi's brother, Giulio Cesare, outlines what Claudio himself meant by the term prima prattica, in a manifesto printed with the Scherzi Musicali published in 1607: "By First Practice he understands the one that turns on the perfection of the harmony, that is, the one that considers the harmony not commanded, but commanding, not the servant, but the mistress of the words, …
'Seconda Pratica': A Background to Monteverdi's …
https://www.jstor.org/stable/730115
"SECONDA PRATICA": A BACKGROUND TO MONTEVERDI'S MADRIGALS BY DENIS ARNOLD ALTHOUGH studies of Monteverdi's life and music have appeared in the last thirty years in Italian, English, German and French, we still know comparatively little about the background from which his music sprang. A recent work on his operasI has admittedly explored
Timeline 015: Claudio Monteverdi, Prima Prattica And ...
https://www.vpr.org/vpr-classical/2015-08-03/timeline-015-claudio-monteverdi-prima-prattica-and-seconda-prattica
Timeline 015: Claudio Monteverdi, Prima Prattica And Seconda Prattica. Claudio Monteverdi's works mark the boundary between the Renaissance and the Baroque. There are individuals in music history that stand as pillars, whose life and work help us delineate the various eras of musical practice. One such individual was the Italian composer ...
THE LANGUAGE OF LAMENT: GIACHES DE WERT AND …
https://etda.libraries.psu.edu/files/final_submissions/11799
are imbued with the heightened rhetorical devices and expressive primacy of his seconda pratica.2 Thus the significance of this interval, I posit, lies in its function as a gestation period for 1 Giulio Cesare Monteverdi, foreword to Claudio …
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