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Common mode rejection – PS Audio

    https://www.psaudio.com/pauls-posts/common-mode-rejection/#:~:text=This%20process%20is%20called%20Common%20Mode%20Rejection%20Ratio,RCA%20cables%20as%20well.%20How%20does%20this%20work%3F
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Designing for high common-mode rejection in …

    https://www.ti.com/lit/an/slyt737/slyt737.pdf
    signal lines is the common-mode rejection ratio (CMRR) and is typically expressed in decibels. See Equation 1. CMRR dB A A CM DM ( )= ×log 20 (1) where A CM is the line-receiver’s gain for common-mode signals and A DM is the gain for differential signals. Figure 1 represents a typical balanced audio-transmission system with a line-driver circuit that transmits two

Common mode rejection – PS Audio

    https://www.psaudio.com/pauls-posts/common-mode-rejection/
    This process is called Common Mode Rejection Ratio or CMRR and it is used to eliminate noise and hum which can be common to a signal. CMRR is most often taken advantage of in XLR balanced cables but it can also be used in single ended RCA cables as well.

Design of High-Performance Balanced Audio Interfaces

    https://sound-au.com/articles/balanced-interfaces.pdf
    common to both wires, is called the com mon- mode voltage and the differential amplifier provides common-mode rejection. The ratio of differential or normal-mode (signal) gain to the common-mode (ground noise) gain of the interface is called the com mon- mode rejection ratio or CMRR (called "longitudinal balance" by telephone

MT-042: Op Amp Common-Mode Rejection Ratio …

    https://www.analog.com/media/en/training-seminars/tutorials/MT-042.pdf
    COMMON-MODE REJECTION RATIO (CMRR) If a signal is applied equally to both inputs of an op amp, so that the differential input voltage is unaffected, the output should not be affected. In practice, changes in common mode voltage will produce changes in output. The op amp common-mode rejection ratio (CMRR) is the ratio of the common-mode gain to differential …

AES E-Library » New Balanced Input Integrated Circuit ...

    https://www.aes.org/e-lib/online/browse.cfm?elib=12918
    Limited Common-Mode Rejection Ratio (CMRR) in balanced interfaces often limits dynamic range in real-world audio systems. Conventional differential amplifier input circuits suffer serious CMRR degradation when driven by real system signal sources instead of laboratory generators.

AES E-Library » A New Balanced Audio Input Circuit for ...

    https://www.aes.org/e-lib/browse.cfm?elib=7407
    abstract={a new patented balanced input circuit emulates the extremely high common-mode input impedance which gives a quality audio transformer its hum and buzz rejecting advantage in real-world audio systems, where driving source impedances are rarely perfectly balanced. compared to traditional active balanced circuits, the new circuit can produce cmrr …

Stereo Balanced to Unbalanced Audio Converter ...

    https://www.electronics-lab.com/stereo-balanced-to-unbalanced-audio-converter/
    The circuit presented here is a differential amplifier intended to receive balanced line inputs in audio applications requiring a high level of noise immunity and optimum common-mode rejection. The circuit typically achieves an extremely high common-mode rejection ratio (CMRR) of 91 dB while maintaining an ultra-low THD+N of –120 dB at 1 kHz for 22-dBu signal …

Balanced Circuits - Tube CAD

    https://tubecad.com/2016/03/blog0341.htm
    Balanced Circuits In general, most home audio gear equals unbalanced audio gear; sadly, RCA jacks and plugs rule. Yet, balanced is making inroads to home systems, as it offers several advantages, such a potentially enhanced PSRR and a constant-current draw from the audio stages, which greatly unburdens the power supplies.

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