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Confidence C2 Platinum floorstanding loudspeaker - …
https://www.dynaudio.com/discontinued-models/confidence/c2-platinum
Cutting-edge acoustic technology meets traditional Dynaudio heritage. The Confidence C2 serves up seamless balance, effortless control and the kind of sound that will keep you glued to your seat. The slimline C2 Platinum adapts our reflection-conquering DDC tech to a more compact floorstanding design. The drivers comprise two 17cm mid/bass ...
Confidence C2 Signature - Buy the C2 Signature speakers …
https://www.dynaudio.com/discontinued-models/confidence/confidence-c2-signature/
With the advanced DDC technology and latest fine-tuning, the new Confidence C2 II and C2 Signature is the best sounding and most refined Confidence ever. The Confidence Signature project was inspired by Dynaudio's founder Wilfried Ehrenholz. He has always had the ambition of one day making the best even better.
Dynaudio Confidence C2 Signature review | What Hi-Fi?
https://www.whathifi.com/dynaudio/confidence-c2-signature/review
Dynaudio Confidence C2 Signature review: build and design. You still can’t put them too close to a wall, though: in our listening room, bass becomes a little overbearing if the speakers are much less than a metre or so from the rear wall, and in our experience the same – or worse – is true of most large speakers.
Dynaudio Confidence C2 Floorstanding Speakers user reviews ...
http://www.audioreview.com/product/speakers/floorstanding-speakers/dynaudio/confidence-c2.html
Finally I had to choose between the Dynaudio confidence C2 and the B&W Nautilus 802. Both are very good speakers but differ a lot. The B&W has deeper bass and clearer bass. The Dynaudio outshined the B&W in the midrange and higher frequencies. (personally I think the B&W midrange is a little bit aggressive causing fatique, but then again a life ...
Dynaudio Confidence C2 Signature Loudspeakers
https://www.soundstageultra.com/index.php/equipment-menu/307-dynaudio-confidence-c2-signature-loudspeakers
The Dynaudio Confidence C2 Signatures did a credible job of "disappearing" in my room from the get-go. Singers were centrally located, perhaps just a touch behind the plane described by the speakers’ front baffles. Alison Krauss’s voice sounded neutral in "Gravity," from her Lonely Runs Both Ways (16/44.1 AIFF, Rounder). I found singers to ...
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