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Real-Time Audio - Csound
https://csound.com/docs/manual/UsingRealTime.html
Real-Time Audio Real-Time Audio The following information applies mostly to csound being run directly from the command line. Front-ends implement these features in different ways, but knowledge of them is necessary in some of them. The -i and -o flags can be used to specify realtime output instead of the ordinary non-realtime file output.
Windows - Csound
https://csound.com/docs/manual/RealTimeWindows.html
Csound will use PortMidi as the default MIDI module, but there's also a native winmme module, which can be activated with the flag: -+rtmidi=winmme. A typical set of flags to enable Real-time Audio and MIDI I/O can look like: -+rtmidi=winmme -M1 -Q1 -+rtaudio=portaudio -odac3 -iadc3.
Home | Csound Community
Although Csound has a strong tradition as a tool for composing electro-acoustic pieces, it is used by composers and musicians for any kind of music that can be made with the help of the computer. Csound has traditionally been used in a non-interactive score driven context, but nowadays it is mostly used in in a real-time context.
Realtime I/O on Linux - Csound
https://csound.com/docs/manual/RealTimeLinux.html
Csound can be connected to any device which shows up on the ALSA sequencer list of output ports, obtained by "amidi -l" as above. In order to connect a Csound synthesizer to the MIDI out port of the keyboard listed above, the following flag would be used: ... Real-Time Audio ...
Csound Realtime Examples - Iain McCurdy
http://www.iainmccurdy.org/csound.html
Convolution between an audio signal and a short impulse sound file stored on the hard drive. Ideally suited to real-time convolution. Uses the sound files StairwellL.wav, StairwellR.wav, dishL.wav and dishR.wav. convolve.csd - a demonstration of the 'convolve' opcode. Convolution between an audio signal and an impulse file created beforehand using csound's cvanal utility.
Mac OSX - Csound
https://csound.com/docs/manual/RealTimeMac.html
You also need to specify the sound device you want to use, and specify that you want to generate real-time audio ouput instead of soundfile to disk output. To do this, you must use the -odac or -o dac flag, which tells csound to output to the Digital-to-Analog converters instead of a file. By adding a number after the flag (e.g. -odac2), you can choose the device number you want.
Realtime I/O on Linux - csounds.com
https://www.csounds.com/manual/html/RealTimeLinux.html
with real time scheduling (as root): jackd -R -P 90 -d alsa -P -r 48000 -p 64 -n 2 -zt & csound --sched=80,90,10 -d -+rtaudio=jack -b 64 -B 192 [...] To improve performance, use ksmps values like 32 and 64. The sample rate of the orchestra must be …
Tools for Real-time Spectral Processing (pvs ... - Csound S
http://csounds.com/manual/html/SpectralRealTime.html
Tools for Real-time Spectral Processing (pvs opcodes) With these opcodes, two new core facilities are added to Csound. They offer improved audio quality, and fast performance, enabling high-quality analysis and resynthesis (together with transformations) to be applied in real-time to live signals.
The Canonical Csound Reference Manual
https://csound.com/docs/manual/index.html
Command Line Parameter File (.csound6rc) Score File Preprocessing The Extract Feature Independent Pre-Processing with Scsort Using Csound Csound's Console Output How Csound works Amplitude values in Csound Real-Time Audio Realtime I/O on Linux Mac OSX Windows Realtime I/O with JACK Connection Kit Optimizing Audio I/O Latency Configuring
Configuring CsoundQt - GitHub Pages
https://csoundqt.github.io/pages/configuring-csoundqt.html
Defines the bit depth of the audio file to which CsoundQt records its real-time output, when using the Record button (or the 'record' option from the Control menu). For most cases 32bit float or 24bit formats are recommended. The former is particularly useful as it can hold ‘clipped‘ sample values, which can be later normalised. Console
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