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Syllabus for MUSC51A: Digital Audio 1: Fundamentals ...
https://canvas.santarosa.edu/courses/26633/assignments/syllabus
Course Syllabus. MUSC 51A Digital Audio: Fundamentals. Fall 2017. Day/Time Thursday 9:00am – 12:50pm. Room Maggini, room 2926. Instructor Barry Blum. Office Maggini, room 2926. Phone 415 302 6463. Office Hours Th 8:00 am – 8:50 am. Email [email protected] or [email protected]. Catalog Description
Syllabus for DIGITAL AUDIO TECH I-Howard
https://arlington.instructure.com/courses/107729/assignments/syllabus
*The syllabus serves as a guide for both the teacher and student; however, during the term, it may become necessary to make additions, deletions, or substitutions. Adequate notice will be provided to students of any necessary changes. I have read and understand the Digital Audio Syllabus.
AudioWorks Syllabus - Digital Audio Basic (DAB)
http://www.freqsound.com/SIRA/DAB%20Syllabus%20Fall%202020.pdf
AudioWorks Syllabus - Digital Audio Basic (DAB) Day Seven: Lecture/Lab (4 hours) – Music Awareness for Audio Engineers: Song structure and elements such as intro, verse, bridge, chorus and others. Editing multi-track audio files based on song structure. Automation basics, Groups, and Memory Locations will be explained and utilized.
Introduction to Digital Audio Editing
https://www.ccri.edu/performingarts/music/docs/MUSC%201112%20Introduction%20to%20Digital%20Audio%20Editing.pdf
SYLLABUS Introduction to Digital Audio Editing Instructor: Jim Stravato MUSC1112 3 credits email: [email protected] Course meeting time: [TBA] phone: 401-825-2020 Office: 2081 Office hours: [TBA] Prerequisite: None Text: Pro Tools 101—ISBN 1-59863-866-1
Digital Audio Production I > Syllabus | Concourse
https://lcc.campusconcourse.com/view_syllabus?course_id=762
Digital Audio Production I is the audio foundation course required of all DMAC students. (F,Sp,Su) Requisites. Prerequisite Course: None Placement Scores: Reading Level 5 and Writing Level 6. ... These grades will align with the Evaluation Criteria listed in this syllabus. D2L is accessed through the MyLCC page.
IM 250 Digital Audio Production Syllabus
http://jcsites.juniata.edu/faculty/rhodes/dap/syllabus.htm
Syllabus | COM 307 Digital Audio Production
https://sound.wordpress.ncsu.edu/sylllabus/
Syllabus. COM 307 is a project based course that will give you an overview of digital audio production. We will explore some of this through both making and studying. By the end of this semester you will: Record, edit and produce audio segments. Use …
Syllabus for Mr. Copenhaver Digital Audio II Course
https://arlington.instructure.com/courses/137032/assignments/syllabus
Digital Audio II Course Syllabus Arlington ISD Dan Dipert Career and Technology Center Instructor Rodney Copenhaver [email protected] 682 687 9535
DIGITAL AUDIO PRODUCTION I-RTV
https://inside.tamuc.edu/academics/cvSyllabi/syllabi/201320/22493.pdf
SYLLABUS DIGITAL AUDIO PRODUCTION RTV 360 Instructor of record: Dr. John Mark Dempsey PAC 101 [email protected] Artist In Residence: Brad Davis Spring 2013 Office location: Time: 4p – 6:30p Wednesdays Bdm-Studio 1132 Main Street Commerce, Texas 75428 Phone: (903) 886-6027 E-mail: [email protected]
ECE 485: Digital Audio Processing (SP19) - Duke University
http://pfister.ee.duke.edu/courses/ece485/
Syllabus (updated 01/09/19) Lecture: 1:25 - 2:40 MW @ Teer 106 . Office Hour: 3:00 - 4:00 Tu @ Gross 305. Recommended Textbooks. Course Notes. Supplemental Materials. Principles of Digital Audio by Ken Pohlmann (PDA) Discrete-Time Signal Processing by Oppenheim and Schafer, 3rd Ed. (DTSP) Signals and Systems by Oppenheim, Willsky, and …
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