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HandBrake Documentation — DRC - Dynamic Range …
https://handbrake.fr/docs/en/latest/technical/audio-drc.html
DRC - Dynamic Range Compression Dynamic Range Compression. The dynamic range of an audio track is the difference between the softest and loudest sounds. Dynamic range compression reduces the gap between those extremes. On the Audio tab, each track provides an option to set the level of compression you wish. 1.0-2.5 are good values to use.
HandBrake Documentation — Dynamic Range Compression
https://handbrake.fr/docs/en/1.1.0/technical/dynamic-range-compression.html
Dynamic range compression only works when the source audio is AC3 and you are encoding to another format, like AAC. It has no effect on AC3 pass-through or on DTS or MPEG-2 audio. This article is part of the HandBrake Documentation and was written by Scott (s55). Join us on GitHub to contribute your thoughts and ideas, and to suggest any ...
Question regarding DRC in Handbrake... - VideoHelp Forum
https://forum.videohelp.com/threads/365314-Question-regarding-DRC-in-Handbrake
So Handbrake just uses the DRC information which might be present in an AC3 audio stream, only if you crank up the DRC value, I assume it applies it more enthusiastically. I don't even know how AC3 DRC works exactly, or how it'd compare to applying compression "manually" when encoding.
Handbrake: Complete Step-by-step Guide (2021 Update ...
https://www.rapidseedbox.com/blog/guide-to-mastering-handbrake
For example, Handbrake can take the AC3 audio track from a DVD or BluRay and transcode it to an AAC for mobile devices. Additionally, you can also change the sound mixdown (Stereo, Mono, etc), sample rate, bitrate, and adjust Gain and DRC (Dynamic Range Compression) from the same toolbar.
Anyone using DRC? (Dynamic Range Compression) : handbrake
https://www.reddit.com/r/handbrake/comments/mmi9ir/anyone_using_drc_dynamic_range_compression/
No, also DRC serves no function 'unless' the source audio is AC3. If you don't mind an additional stage, I'd recommend using EAC3To audio encoder tool, rather than Handbrake, to encode the secondary AAC (or even a main AC3) soundtrack. Handbrake can't encode from DTSHD (it encodes using the lossy DTS core).
Handbrake Complete Tutorial Part 1: How to Transcode ...
http://www.ocfreaks.com/handbrake-complete-tutorial-part-1-transcode-compress-videos/
DRC: Dynamic Range Compression. This setting is used to alter the difference between the lowest and loudest sounds in the audio file. Use this setting at greater than 0 if you feel the lower volume parts in the audio file are too low in volume, while the louder parts are too loud. Generally, a value between 1 and 2 is sufficient for most files.
HandBrake Documentation — Surround Sound Guide
https://handbrake.fr/docs/en/latest/advanced/surround-sound.html
5.1 Surround. 6.1 Surround. 7.1 Surround. By default HandBrake will downmix your audio to Dolby ProLogic II which sounds good on both stereo and multi-channel audio systems alike. However, if you want the true experience you can choose the appropriate channel count surround option from the “Mixdown” dropdown.
HandBrake Documentation — Audio Codecs
https://handbrake.fr/docs/en/latest/technical/audio-codecs.html
HandBrake supports two modes of operation for handling audio tracks from the source. It can either: Re-Encode the track into a new format. For example, AC3 or DTS audio from a DVD or BluRay into AAC for playback on mobile devices. Passthru copies the audio track from the source to the newly encoded file.
Sound is always like -24db : handbrake
https://www.reddit.com/r/handbrake/comments/snjfk0/sound_is_always_like_24db/
Handbrake does this very well, I find, but unfortunately the end result seems always to end up extremely quiet. (I've tried every audio track choice and the result is the same.) ... By default, Handrake sets DRC to 0, which eliminates all hints from the original tracks. Setting to 1.0 uses the hints embedded in the original track, which may fix ...
Audio DRC? | AVS Forum
https://www.avsforum.com/threads/audio-drc.1246196/
Imagine all this on a certain scale from 0-100, where 1 is the softest sound and 100 the loudest sound. On a system that doesn't use some form of DRC, when you set the volume so you can hear the softest sounds, the loudest sound can be really really loud. Great if you want the full impact of the audio portion of the presentation.
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