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Amazon.com: dbx 266xs Professional Audio …
https://www.amazon.com/dbx-266xs-Professional-Compressor-Processor/dp/B004NDFRVC
Compressor / Gate Adding a dbx 266xs Compressor/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, …
Audio Dynamics 101: Compressors, Limiters, Expanders, …
https://www.izotope.com/en/learn/audio-dynamics-101-compressors-limiters-expanders-and-gates.html
In this article, we’ll demystify the compressor and other dynamics processors. We’ll cover the four main types of plug-ins used to control dynamics: limiters, compressors, expanders, and gates. We’ll discuss the mathematical processes behind these tools, how they affect the sound, and the best scenarios in which to use them.
Shop Amazon.com | Compressors, Limiters & Gates
https://www.amazon.com/Compressors-Gates-Effects-Processors/b?node=11975601
Compressor / Gates - Vintage King Audio
https://vintageking.com/recording/dynamics/compressor-gates
DBX 266XS Dual-Channel Compressor/Gate. $ 199 .00. or $5 /month for 48 months. View Product. Add to Cart. Add to List. API 235L Single Channel 200 Series Noise Gate/Expander. $ 660 .25. No interest if paid in full within 12 months.
Improving Sound Using Gates and Compressors - Church ...
https://www.churchproduction.com/education/improving-sound-using-gates-and-compressors/
The gate's attack times should be between 0 and 5 ms depending of the sound that you want to attain for the snare. Keep in mind that any parameter may vary considerably from one gate or compressor to another. This is because the device's character depends on the kind of circuitry used to create the dynamic device.
Compressor vs Noise Gate & when to use them! - The Home ...
https://thehomerecordings.com/compressor-vs-noise-gate/
Use compression to add punch, percussiveness and to even out the sound by reducing the dynamic range between the loudest and quietest parts of the track. Noise-gates should be used when trying to keep unwanted sounds from making it into the recording, from being heard in the mix, or to keep them at bay while in a live setting.
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