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Guy Sergeant - Puresound | audioaddicts: Everything HiFi ...
https://audioaddictsforum.com/thread/1084/guy-sergeant-puresound?page=1
Guy is a nice fella but I have to be honest about the A30. I didn’t like the A30 at all to start with. Then I spent about £150 on upgraded valves and kinda talked myself into thinking I’d been wrong, even though the valves did almost nothing.Then I got an Exposure X to play with, the Puresound got blown into the weeds and I realised my first impression was right.
Audio Innovations First Audio - Dagogo
https://www.dagogo.com/audio-innovations-first-audio/
In 1986 he received an award from a well-established magazine for his contribution to the understanding of audio reproduction. That year the “First Audio”, the first commercial triode amplifier in decades, utilising neither global nor local feedback, appeared in a largely unsuspecting audiophile market.
Guy Sargent - About
https://guysargent.net/about
Guy Sargent's photographs are often driven by a physical, intellectual and emotional response to the subject, whether architecture, landscape, a portrait or an object found in a museum, employing the role of a casual but incisive observer.
GUY SARGENT PRINTS
https://guysargentprints.com/
This paper has an exceptional smooth white tone, developed to address the need for continued longevity requirements in the Digital Fine Art market. All Giclée prints are made with Epson printers using the finest quality archival pigment inks, lightfast for 80 years or more. YouTube. GUY SARGENT PRINTS. No subscribers.
The Tech Guy (Audio) - Google Podcasts
https://podcasts.google.com/feed/aHR0cDovL2ZlZWRzLnR3aXQudHYva2ZpLnhtbA==
The Tech Guy (Audio) TWiT Subscribe Visit website No one does a better job of explaining technology, computers, and the Internet than Leo Laporte. This feed contains the full content of his twice...
pure sound
http://www.puresound.info/
The A30 was the subject of a review in the September 2007 issue of the German AUDIO magazine. "The Paganini Variations by Boris Blacher however showed the A30 as a master of its subject; beginning in an inconspicuous manner, then revealing layer upon layer of the most exquisite, sublimely intense tonal colours."
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