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livE SoUnd SURIvIAL GUIDE - Alto Professional
https://www.altoprofessional.com/documents/AltoPro_LiveSound_Guide_final.pdf
A third type of mic technology, the ribbon microphone, is seldom used live due to fragility. miC PlACEmEnT And USAgE Any mic needs to be placed so that it picks up sound optimally—but to do that, you need to know some mic basics. miC diRECTionAliTy This is crucial for live use, as you want mics to pick up specific sounds and discriminate
A BASIC INTRODUCTION TO CONCERT SOUND ENGINEERING
http://www.tiem.utk.edu/~gross/soundeng4.pdf
majority of live sound work is with the above two types. ... There are two basic types of lines used in audio: Unbalanced lines have a single lead running down the middle, with a wire braid shielding around it. Here the hot signal (e.g. in-phase or +) is in the center wire and the braid serves as both ground and the cold side (e.g. out of phase ...
Digital Audio Basics - University of Washington
https://itconnect.uw.edu/wp-content/uploads/2013/09/DigitalAudioBasics.pdf
Digital Audio Basics In the digital age, recording and editing audio has never been easier. With a couple of keystrokes and the click of a mouse button, you can record yourself, apply effects, and create a studio quality finished product within the comfort of your own home. ...
Microphone Techniques for Live Sound …
https://www.shure.com/damfiles/default/global/documents/publications/en/performance-production/microphone_techniques_for_live_sound_reinforcement_english.pdf-3df433145fca686a736beeb5da588efa.pdf
LIVE SOUND Microphone Techniques for Introduction Microphone techniques (the selection and placement of microphones) have a major influence on the audio quality of a sound reinforcement system. For reinforcement of musical instruments, there are several main objectives of microphone techniques: to maximize pick-up of suitable
2: Audio Basics - UCL Computer Science
http://www0.cs.ucl.ac.uk/teaching/Z24/02-audio.pdf
Analog Audio Larynx (vocal cords) Vocal tract (resonance) Sound Waves (compression and rarefaction) diaphragm Analog voltage (proportional to air pressure) Simple Analog-to-Digital Converter Signal is sampled at sampling frequency f. Sampled signal is quantized into discrete values. Sample And Hold Quantizer Analog Signal Sample Clock A ...
Audio Mastering Secrets Free PDF
http://audiomasteringsecrets.com/Audio-Mastering-Secrets-FREE-PDF.pdf
AUDIO MASTERING STEP-BY-STEP Initial Mastering Template Setup 144 1. Let's Start The Audio Mastering Session! 146 2. What File Types Are Used In Audio Mastering? 146 3. Import Files 146 4. Visually Evaluate The Song Mix File 148 5. Use Your Ears To Evaluate The Song Mix 151 6. Slightly Compress Each Of The 4 Bands 152 7. Loudness Maximize The ...
Audio Engineering in a Nutshell - Linux Audio
http://lac.linuxaudio.org/2004/zkm/slides/saturday/steve_harris+joern_nettingsmeier-audio_engineering.pdf
Audio systems are bounded between the noise floor and the clipping level. The usable room between those boundaries is the dynamic range or signal-to-noise ratio (S/N) of a system. The human ear has a dynamic range of about 120dB from hearing to pain threshold. Studio-grade analog tape recorders achieve 70dB S/N, consumer machines are a lot worse.
The Complete Guide to the Basics of Live ... - Pro Audio …
https://theproaudiofiles.com/complete-guide-basics-live-sound/
Power is measured in watts and sometimes referred to as program, continuous or RMS power rating. You need to use an amp that is 50% more powerful than your speakers. For instance, if you’re using two 8 ohm, 1000 watt speakers, you’ll need two 8 ohm, 1500 watt power amps, or a single 8 ohm, 2-channel 3000 watt power amp.
Eighteen Live Audio Mixing Tips and Tricks.
https://www.behindthemixer.com/eighteen-live-audio-mixing-tips-tricks/
Cut your male vocals in the 325-350 Hz range to clear up your vocals. Often, the 325-350 Hz range is where the muddiness exists. 6. Use reverb for vocal separation. Using a lot reverb, you can push a singer into the background. Using a little, you can make it stand out in the mix. Use your ears to find out what’s best for your situation. 7.
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