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Final Cut Pro X: Mono to Stereo Output Mixdown
https://cks.is/travel/final-cut-pro-x-mono-to-stereo-output-mixdown
1.) Select the clip you're looking to modify. You may or may not have detached your audio from the video, but regardless, select the clip and be sure the inspector window is open. 2.) In the Audio portion of the inpector, scroll to the bottom where it says Channel Configuration. Change the configuration to Dual Mono.
Intro to audio editing in Final Cut Pro - Apple Support
https://support.apple.com/guide/final-cut-pro/intro-to-audio-editing-verdcd1cc1/mac
Perform a roll edit on adjacent audio components. See Make roll edits in Final Cut Pro. Apply fades or use fade handles to fade audio in at the beginning of an audio component, or fade audio out at the end. See Fade audio in and out in Final Cut Pro. Pan the sound for individual components. See Pan audio in Final Cut Pro.
A Mastering Engineer's Guide to Final Mixdown | FMG ...
https://fragilemusicgroup.com/blog/a-mastering-engineers-guide-to-final-mixdown/
Bounce between the reference and your mixdowns, adjusting volume levels until everything matches. Be sure to make the gain adjustment at the clip level, not on the channel, so you won’t lose your settings when we… 5. Line up all the clips onto a single channel. Alternate between reference and mixdown, like so:
Audio Finishing using Roles in FCP – Ripple Training
https://www.rippletraining.com/blog/final-cut-pro-x/audio-finishing-using-roles-in-fcp/
6:41 – Creating a Final Mixdown. 7:56 – Audio Effect Processing Order. 10:07 – Setting Target Audio Level on the Meters. 11:04 – One bone to pick with Apple. ... Since joining Ripple, he has worked with Final Cut Pro X, DaVinci Resolve and Motion while editing tutorials until being promoted to the Senior Editor. Not only is he an expert ...
Audio Roles in Final Cut Pro - Apple
https://www.apple.com/euro/final-cut-pro/f/generic/docs/Audio_Roles.pdf
every component. In previous versions of Final Cut Pro, a four-channel audio clip would be imported as follows: Clip Dialogue Dialogue Dialogue Dialogue Final Cut Pro 10.2–10.2.3 Because Final Cut Pro always assigns unique subroles, the same clip is now imported as follows: Clip Dialogue-1 Dialogue-2 Dialogue-3 Dialogue-4 Final Cut Pro 10.3 or later
Video mixdown - Apple Final Cut Pro Legacy - Creative COW
https://creativecow.net/forums/thread/video-mixdown-2/
An audio mixdown creates a new audio track which can help avoid hang-ups and dropped frames when playing back to tape. Given this, I’m not sure that there’s no need to do an audio mixdown. Even if you are nesting I think it can still have extra benefits.
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