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The DV, DVCAM, & DVCPRO Formats -- tech details, FAQ, and ...
https://adamwilt.com/DV-FAQ-tech.html
The consumer-oriented DV uses 10 micron tracks in SP recording mode. Sony's DVCAM professional format increases the track pitch to 15 microns (at the loss of recording time) to improve tape interchange and increase the robustness and reliability of insert editing.
DVCAM Family - Broadcast Store
https://www.broadcaststore.com/pdf/model/18466/dvcam_family.pdf
DVCAM cassette tapes are available in two sizes: standard and mini. The standard-size cassette provides a recording time of up to 184 minutes, while the mini-size cassette provides up to 40 minutes. These long recording times are achieved in very compact cassettes with a 1/4-inch (6.35 mm) tape width. Mini-size cassette Standard-size cassette
DVCAM Format Explained: Learn More About Sony's Pro DV ...
https://www.freevideoworkshop.com/dvcam-format/
DVCAM Audio Quality Its excellent signal-to-noise ratio provides audio quality that comes close to CD quality. You can also select the 2-channel 48 kHz/16-bit recording mode or the 4-channel 32 kHz/12-bit recording mode. DVCAM Video Tape Recorders DVCAM VTRs supports playback of DV25 (data rate of 25 Mb/s) tapes.
The DV, DVCAM, & DVCPRO Formats -- tech details, FAQ, …
https://adamwilt.com/DV-tech.html
DVCAM is very close to DV; if you take the information in IEC 61834 and compensate for (a) 50% higher track pitch, track width, and tape speed; (b) 1/3 shorter run times per tape length; (c) defaulting to locked audio; and (d) no support for LP mode, you should have most of …
DVCAM Fam NTSC 9903 - broadcaststore.com
https://www.broadcaststore.com/pdf/model/18466/dsrseries.pdf
The DVCAM format is based on an intra-frame compression scheme which is ideal for editing applications. Based on DCT (Discrete Cosine Transform) techniques, each frame consists of 10 tracks. Each track has video, audio, ITI (Insert and Track Information) and sub code areas. ITI, which is a reference
DV Formats: Everything You Need To Know - …
https://www.videouniversity.com/articles/dv-formats-everything-you-need-to-know/
Sony’s DVCAM professional format increases the track pitch to 15 microns (at the loss of recording time) to improve tape interchange and increase the robustness and reliability of insert editing. Panasonic’s DVCPRO increases track pitch and width to 18 microns, and uses a metal particle tape for better durability.
DVCAM Family 2006 - arzeasociados.com
http://www.arzeasociados.com/Documentos/Sony/dvcam_Series.pdf
superb multi-generation performance. The DVCAM format has a wider track pitch of 15 μm (compared with 10 μm for the DV format) which gives higher reliability for professional editing. It also offers superior digital audio performance, providing a wide dynamic range and excellent signal-to-noise ratio, comparable to CD quality. Alternative audio channel
simultaneous 4-channel DV audio capture: change over …
https://creativecow.net/forums/thread/simultaneous-4-channel-dv-audio-capture-change-ove/
DV video devices can record up to four tracks of audio, depending on the sample rate and bit depth chosen on the camcorder. However, Final Cut Pro can only capture two audio channels via the FireWire port of a device at a time.”
Sony DSR-250 DVCAM Camcorder | TV Tech
https://www.tvtechnology.com/equipment/sony-dsr250-dvcam-camcorder
The audio inputs are XLR. One thing I found useful at the San Antonio shoot was plugging two wirelesses into the rear audio inputs and a simultaneous translation feed into the front mic input. I could switch one of the audio tracks between the rear and front input as needed. This was on the DSR-300, but is equally possible on the DSR-250.
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