Meantone Tuning Audio Examples

We have collected the most relevant information on Meantone Tuning Audio Examples. Open the URLs, which are collected below, and you will find all the info you are interested in.

The Arithmetic of Listening: Chapter 6 Audio Examples

https://www.kylegann.com/AoL6-Meantone.html

Audio Examples for Kyle Gann's The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician Chapter 6: Meantone Temperaments. Major Triads in 1/4-Comma Meantone. Around the circle of fifths: Meantone-triads. Orlando Gibbons: The Lord Salisbury, His Pavane. In 1/4-comma meantone temperament (Kyle Gann, keyboardist):

Regular meantone strains - www.larips.com

http://www-personal.umich.edu/~bpl/larips/meantone.html

These contribute to the fairly well-known characteristic of F minor as a specially usable key in meantone. Easter egg: the augmented sixths Bb-G# and Eb-C# are close to the sound of a pure 7:4 minor seventh, and therefore sound remarkably resonant and static. Regular 1/5 syntonic comma. From C, tune E pure; and then B as a pure fifth from the E.

‎Meantone on the App Store

https://apps.apple.com/us/app/meantone/id367253257

For example, C# and Db are different pitch. 5.1/4 Syntonic Comma General Meantone temperament. Wolf fifth is placed Eb-G#. The interval of major third are pure. 6.1/5 Syntonic Comma A kind of meantone. Wolf fifth is placed Eb-G#. The interval of major third is little far from a pure interval. 7.1/6 Syntonic Comma A kind of meantone.

Exploring the Sound of Keyboard Tunings | The Diapason

https://www.thediapason.com/content/exploring-sound-keyboard-tunings

This is a variant of Pythagorean tuning and has the tonal color required for very early music. It also plays much of the later literature with radiant harmonic purity. The second example shown in illustration 2 is the 1/4-comma meantone devised by Pietro Aaron in 1523. It is a wonderful representative of the class of tunings that emphasize the purity of major thirds.

Baroque Ensemble Tuning Introduction | Dr. Ross W. Duffin

https://casfaculty.case.edu/ross-duffin/baroque-ensemble-tuning/

In addition, the basic building blocks of all chords—the major and minor 3 rd s—are farther from Just in ET than they are in meantone, so chords in meantone sound sweeter. Finally, in 1/6 comma meantone, the augmented 4 th (590.2c) and the diminished 5 th (609.8c) are acoustically pure, which makes them harmonically much more satisfying than in any other …

Now you know Meantone Tuning Audio Examples