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Chion, Michel. "The Audiovisual Contract: Projections of ...
http://csmt.uchicago.edu/annotations/CHION.HTM
University of Chicago In Audio-Vision: Sound on Screen, Michel Chion explores the relationship between sound and image in film and the ramifications that this relationship may imply. Chion cites "added value" as the key to understanding the complex give and take between the audio and visual components of film.
Audiovisual Contract - FilmSound.org
http://www.filmsound.org/chion/av-contr.htm
Michel Chion Links: "Chion is a poet in theoretician's clothing" - Claudia Gorbman writes about Michel Chion. Book Review: Michel Chion, Audio-Vision (Escom Newsletters) - by Nicola Phillips Faculty of Music, University of Cambridge. Michel Chion´s Terminology
Chion Michel Audio Vision - Monoskop
https://monoskop.org/images/6/6d/Chion_Michel_Audio-Vision.pdf
visual terms—the better the sound, the better the image. The FOREWORD IX French composer, filmmaker, and theoretician Michel Chion has dedicated a large part of Audio-Vision to drawing out the various aspects of this phenomenon—which he terms added value—and this alchemy also lies at the heart of his three earlier, as-yet-
Chion_Michel_Audio-Vision CH1.pdf - PART 1 • • • THE A …
https://www.coursehero.com/file/128949087/Chion-Michel-Audio-Vision-CH1pdf/
6 • • • The Audiovisual Contract almost always voice recording—and it is the voice that is isolated in the sound mix like a solo instrument—for which the other sounds (music and noise) are merely the accompaniment. By the same token, the historical development of synch sound recording technology, for example, the invention of new kinds of micro-phones and sound systems, has ...
(PDF) Michel Chion in Audio-Vision and a practical ...
https://www.researchgate.net/publication/297879092_Michel_Chion_in_Audio-Vision_and_a_practical_approach_to_a_scene_from_Andrei_Tarkovsky's_Nostalghia_Josep_Torello_and_Jaume_Duran
Michel Chion in Audio-Vision and a practical approach to a scene from Andrei Tarkovsky's Nostalghia. ... –note the visual adjective used here for a …
Michel Chion AudioVisions 1994 Sound does not correspond
https://slidetodoc.com/michel-chion-audiovisions-1994-sound-does-not-correspond/
Michel Chion: Audio-Visions (1994) • Audiovisual contract: – "a kind of symbolic contract that the audio-viewer enters into, agreeing to think of sound and image as forming a single entity" (Chion 1994, p. 216). Nuno N. Correia, 2013
Book Review: Michel Chion Audio-Vision -- Sound on Screen
http://www.filmsound.org/philips.htm
First, `The audio-visual contract', lays the foundations for a theory of film sound function based in introspective rationalization of the perceptions of the filmgoer. Second, the discursive "beyond sounds and images", delineates an analytical method for scholarly analysis of sound in film.
Audio-Vision: Sound on Screen
https://www.degruyter.com/document/doi/10.7312/chio18588/html
Michel Chion is an independent scholar, composer, filmmaker, and teacher. He is the author of more than thirty books on sound, music, and film, including The Voice in Cinema (Columbia, 1999), Film, a Sound Art (Columbia, 2009), and Words on Screen (Columbia, 2017). Claudia Gorbman is professor emerita of film studies at the University of Washington, Tacoma.
Review of Audio-Vision: Sound on Screen
http://cinej.pitt.edu/ojs/index.php/cinej/article/download/289/611
interdisciplinary domain. Based on the concept of “audiovisual contract”, Chion’s text moves the discussion away from “synesthesia” (i.e. the impression that the visual and auditory senses are – somehow naturally– combined in the human brain). The opening section of the book is titled “The Audiovisual Contract”, a heading that
Audio-Vision: Sound on Screen | Columbia University Press
https://cup.columbia.edu/book/audio-vision-sound-on-screen/9780231185899
Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images.
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