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AES E-Library » Audio in the New Millennium - Redux
https://www.aes.org/e-lib/online/browse.cfm?elib=20975
JA. A.. Moorer, "Audio in the New Millennium - Redux," Paper 10438, (2020 October.). doi: JA. A.. Moorer, "Audio in the New Millennium - Redux," Paper 10438, (2020 ...
AES E-Library » Audio in the New Millennium
https://www.aes.org/e-lib/browse.cfm?elib=12062
Moorer, "Audio in the New Millennium," J. Audio Eng. Soc., vol. 48 Issue 5 pp. 490, 492, 494-498, (2000 May.). doi: doi: Abstract: The progress of digital audio over the author's career is examined and compared to the speedups predicted by Moore's law.
AES Journal Forum » Audio in the New Millennium
https://secure.aes.org/forum/pubs/journal/?elib=12062
Audio in the New Millennium The progress of digital audio over the author's career is examined and compared to the speedups predicted by Moore's law. Then extrapolating over the next 20 years, it is concluded that the main problem facing digital audio engineers will not be how to perform a particular manipulation on sound, but how the amount of power that will be available …
James A. (Andy) Moorer: The Future of Technology - Looking ...
https://ccrma.stanford.edu/events/james-andy-moorer-future-of-technology-looking-forward-looking-back
In 2000, the author published an article entitled "Audio in the New Millennium", using the author's experience to project 20 years into the future. Today we are 17 years into that projection. Comparisons of the state of the art with the projections lead to some startling observations with profound implications for the future of the relation between humans and …
AES Convention Papers Forum » Audio in the New Millennium ...
https://secure.aes.org/forum/pubs/conventions/?elib=20975
The AES Forum is where our members get to interact with each other in between conferences and section meetings.
Sliding is Smoother than Jumping
http://www.music.mcgill.ca/~ich/research/misc/papers/cr1137.pdf
In his visionary lecture on audio in the new millennium, Moorer presented a number of ways in which he thought that audio would progress [6]. The one which inspired this work is the suggestion that with increase in machine power available eventually processes he calls the “Run-ning” transforms will come into use. In particular he re-
High-Performance Audio Computing
http://dream.cs.bath.ac.uk/HiPAC/index.html
(James Moorer, "Audio in the New Millennium", Journal of the Audio Engineering Society, May 2000) HiPAC - key aspects. At this early stage, we have identified a small number of aspects which we consider distinguish HiPAC research from mainstream audio dsp research.
Real-time Cross-Adaptive Audio Effects
http://webspace.qmul.ac.uk/yonghaow/paper/20100623PGconfQM/pgconf%20paper%20final.pdf
In 2000, James A. Moorer in “Audio in the New Millennium” [1] described three stages in the music production development. In the past the profession audio concentrated on “fidelity of reproduction”. The main goal was to reproduce the sound as accurate as perceptible in live concert environments.
Sliding DFT for Fun and Musical Profit
http://lac.linuxaudio.org/2008/download/papers/10.pdf
was highlighted by James Moorer, Audio in the New Millennium[2], which in turn formed the starting point for our own work [3]. The bottom line is that for each frequency bin the process of moving one involves adding the newsample, subtracting thesample that has fallen off the start of the window, and a multipli-cation (rotation) by a complex value.
(PDF) Real-time Sliding Phase Vocoder using a …
https://www.academia.edu/66852794/Real_time_Sliding_Phase_Vocoder_using_a_Commodity_GPU
[7] V. Lazzarini, J. Timoney, and T. Lysaght, “Spectral Even allowing for the need to optimise such processes Signal Processing in Csound 5,” 2006, pp. 392–395. to take maximum advantage of the GPU architecture, the speed gains we have obtained via commonly available low- [8] J. A. Moorer, “Audio in the New Millennium,” J. cost ...
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