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Mid/Side (MS) Mic Recording Basics | Universal Audio
https://www.uaudio.com/blog/mid-side-mic-recording
The M/S microphone recording technique is used extensively in broadcast, largely because properly recorded M/S tracks are always mono-compatible. M/S is also a popular technique for studio recording, and its convenience and flexibility make it a good choice for live recording as well. Why Mid/Side?
How to: the M-S Stereo Technique
https://www.sweetwater.com/insync/how-to-the-m-s-stereo-technique/
The M-S technique allows for a variable stereo image; by controlling the level of the mid signal in relation to the side signal, the width of the stereo image can be expanded or collapsed — all the way to a pure mono signal if desired. A multi-pattern mic is used here for both the Mid (cardioid) and Side (figure-8) patterns.
M/S Mastery - Sound on Sound
https://www.soundonsound.com/techniques/ms-mastery
Mid/Sides (or M/S) recording techniques are favoured by many engineers for a number of reasons during the recording, mixing and mastering stages, and it's the last that we'll look at here. With some very simple maths, it's possible to encode standard left/right stereo mixes to M/S. You still have two channels, but instead of left and right, you now have control over the Mid (anything …
M/S ProcessingIn Studio One - Sound on Sound
https://www.soundonsound.com/techniques/ms-processingin-studio-one
M/S recording is a coincident‑stereo mic technique that uses two microphones: one, usually but not always a cardioid, pointed directly at the source, and a second, bi‑directional (figure‑8) mic set as close as possible to the cardioid mic and rotated horizontally by 90 degrees relative to it, so that its null is pointing at the source.
Immersive sound & object-based audio with DPA …
https://www.dpamicrophones.com/mic-university/immersive-sound-object-based-audio-and-microphones
The Double MS technique can be attained by using four identical – evenly matched – 4011A or 4011C Cardioid Microphones angled on the horizontal plane at 0°, 90°, 180° and 270° respectively. The membranes should be arranged above each other for best time alignment in the horizontal plane. Mfront = Cardioid front
Favorite M/S or Mid-Side Techniques? : audioengineering
https://www.reddit.com/r/audioengineering/comments/2yg63t/favorite_ms_or_midside_techniques/
M/S mic'ing is great. Here's a cheap stereo processing trick for a 670/FG-Mu compressor; set it up normally, switch to m/s mode, unlink stereo, turn up side input by +3-5db. Bam, instant widening. Works on a master or other bus really well.
Tim Nielsen Special: MS Recording - Designing Sound
https://designingsound.org/2011/08/12/tim-nielsen-special-ms-recording/
“1) Decode an MS to XY – put that on a stereo track. and leave it panned hard L & R.2) Take the M side ONLY, of the MS. and put it on a mono track and put it up the center.This is literally the same as 3 cardiod mics arranged in an LCR array.The decoded XY is 2 channels.The undecoded M is the 3rd.”
Tandem Mass Spectrometry (MS/MS) - MagLab
https://nationalmaglab.org/user-facilities/icr/techniques/tandem-ms
The following scheme explains how Tandem MS works. Once samples are ionized (by ESI, MALDI, EI, etc.) to generate a mixture of ions, precursor ions of a specific mass-to-charge ratio (m/z) are selected (MS1) and then fragmented (MS2) to generate a product ions for detection.The selection-fragmentation-detection sequence can be further extended to the first-generation …
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