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Working with Nielsen to do audio watermarking in AWS ...
https://docs.aws.amazon.com/mediaconvert/latest/ug/nielsen-watermarking.html
One form of that tracking uses tones in a media asset's audio that are audible to machines but not humans. These tones are encoded directly in the audio stream and can also be cued in the metadata. To use this Nielsen audio watermarking with MediaConvert, you must first establish a partnership with Nielsen.
Using Nielsen Watermarking with Vantage - Telestream
https://www.telestream.net/pdfs/app-notes/app_Vantage_Nielsen.pdf
to add the nielsen watermarking filter: 1.select the audio stream. 2.open the audio filter menu and select nielsen watermarking. 3.in the audio stream panel, select the nielsen watermarking controls to display the configuration groups (general, channel settings, and content type) and the associated configuration settings. 4.enter all parameter …
Insert Nielsen Watermarking into commercial broadcast content
https://pixeltools.com/tech-tip-nielsen-commercial-watermarking.html
Inserts the appropriate watermarks into audio files to support Nielsen Commercial Tracking. Supports 2, 6, and 8 audio channels of 16 or 24 bit audio Provides user input of commercial meta data. Outputs zip file containing meta data and watermark signatures for direct upload to …
Nielsen® Encoders - Signal Processing - Ross Video
https://www.rossvideo.com/products-services/infrastructure/signal-processing/nielsen/
Nielsen ® ’s patented audio watermarking technology provides the capability to track content distribution from its origin to its final destination. This is accomplished through the insertion of a unique Program Content SID (Source Identification Code) at the broadcast network or national syndicator distribution center and insertion of a Final Distributor SID at a local broadcast …
VOD Content Encoder - Engineering Client Portal - Nielsen
https://engineeringportal.nielsen.com/docs/VOD_Content_Encoder
NW - Nielsen Watermarks, a newer method of audio encoding that places an audio watermark in a lower-frequency portion of the active program than that of the NAES II technology. The lower-frequency position enables NW to be more robust and less likely to be “compressed out” of the program audio by TV distribution.
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