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Pierre Schaeffer, the Sound Object, and the …
https://monoskop.org/images/b/bd/Kane_Brian_2014_Pierre_Schaeffer_the_Sound_Object_and_the_Acousmatic_Reduction.pdf
Pierre Schaeffer, the Sound Object, and the Acousmatic Reduction IMPROVISED ONTOLOGY In 1948, working in the studios of Radiodiffusion Française, Pierre Schaeffer began to keep a set of journals describing his attempt to create a “symphony of noises.”1 These journals, published in 1952 as A la recherche d’une musique concrète, portray
WordPress.com
https://soundenvironments.files.wordpress.com/2011/11/02_acousmatics_schaeffer.pdf
Acousmatics PIERRE SCHAEFFER The founder of musique concrète (see the introduction to Section l). Pierre Schaeffer (1910—1995) is equally important as a theorist of musical listen- ing. Trained as a radio engineer and announcer, Schaeffer was fascinated by the fact that radio and recording made possible a new experience of sound—what he called …
Audio Culture: Readings in Modern Music - Google Books
https://books.google.com/books/about/Audio_Culture.html?id=FgDgCOSHPysC
It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new...
Pierre Schaeffer, the Sound Object, and the Acousmatic ...
https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199347841.001.0001/acprof-9780199347841-chapter-2
This chapter traces the historical development of Schaeffer’s “sound object” (l’objet sonore) and its relation to the acousmatic reduction. By modelling his research after Husserl’s phenomenology, Schaeffer developed a method for bracketing sounds from their sources and causes, the acousmatic reduction, akin to Husserl’s epoché. The acousmatic reduction permits …
Audio Culture, Revised Edition: Readings in Modern Music ...
https://www.bloomsbury.com/us/audio-culture-revised-edition-9781501318368/
Description. The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between …
Acousmatics-Schaeffer.pdf - 14 Acousmatics PIERRE ...
https://www.coursehero.com/file/48953555/Acousmatics-Schaefferpdf/
Trained asaradio engineerand announcer, Schaeffer was fascinatedby the fact that radioand recording made possible anew experience ofsound—what hecalled"reducedlistening" or "acousmatic listening"—that disclosed a newdomain of sounds—"objets sonores" or sonorous objects,the objects of"acousmaticlistening."Like manypost-War French intellectuals, …
First (in)definition: sound is an object – OBJECTS OF SOUND
https://objectsofsound.com/2017/03/18/first-indefinition-sound-is-an-object/
As such, in the 1960s and the 1970s, Schaeffer and Schafer conceptually materialised sound and thereby making it possible to treat sound as an object for research. In his article Acousmatics, Pierre Schaeffer[3], introduced the concept of the sound object. For this author, sound and music have definitely become objects through both radio and recording.
Audio Culture: Readings in Modern Music - The Neural Archive
http://archive.neural.it/init/default/show/1626
Pierre Schaeffer, "Acousmatics" 76 15. Francisco Lopez, "Profound Listening and Environmental Sound Matter" 82 16. Ola Stockfelt, "Adequate Modes of Listening" 88 17.
Expressive Culture: Sounds
https://cas.nyu.edu/content/dam/nyu-as/casCore/documents/syllabi2014-2015/expressive-culture/730OliverF14.pdf
Audio culture: Readings in modern music, 127-130. Listening: Glenn Gould, video excerpts ... Schaeffer, Pierre. (2004). Acousmatics. Audio culture: Readings in modern music, 76-81. TBD Listening: P. Schaeffer Etude aux Chemins de Fer / Etude Violette 1948 F. …
Acousmatic music - Wikipedia
https://en.wikipedia.org/wiki/Acousmatic_music
Pierre Schaeffer has referred to this as écoute réduite (reduced or narrowed-down listening). It can be said that an écoute réduite leads to the perception of music as acousmatic, in the sense that playing sounds from loudspeakers has the potential for obscuring their identity, as the visual reference is removed.
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