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The ear training guide for audio producers | NPR Training
https://training.npr.org/2017/01/31/the-ear-training-guide-for-audio-producers/#:~:text=You%E2%80%99ll%20encounter%20plosives%20when%20you%20record%20people%20speaking.,in%20level%20and%20a%20%E2%80%9Cthump%E2%80%9D%20or%20%E2%80%9Chit%E2%80%9D%20sound.
What are Plosives and How to Fix Them — Sage Audio
https://www.sageaudio.com/blog/mixing/what-are-plosives-and-how-to-fix-them.php
Typically the consonants that cause plosives to be recorded are most often the Pa, Ba, and Fa sound, although other “stop consonants” such as Ta or Ka, can cause the release of air needed to create a plosive. Examples of Plosives: ‘Pa’ ‘Ba’ ‘Fa’ …
Removing Plosives from a Voice Recording - iZotope
https://www.izotope.com/en/learn/removing-plosives-from-a-voice-recording.html
Plosives are strong blasts of air that create a massive pressure change at the microphone's diaphragm, and happen most often with strong p, t, k, and b sounds. RX can intelligently remove these from your audio using the De …
How to Get Rid of Sibilance & Plosives in Your Vocals ...
https://ledgernote.com/columns/studio-recording/taming-sibilance-and-plosives/
Plosives: 150 Hz and lower, but sometimes as high as 200 Hz; This should give you plenty of hints on how to deal with these sounds after they have been recorded. We'll get to that, but first we'll talk about how to avoid them altogether. How to Get Rid of Sibilance. The goal is always going to be to not record these nuisance sounds in the first place.
Here Are Some Tricks For Removing Plosives - Audio …
https://www.audio-issues.com/audio-production/remove-plosives/
This is what it sounds like in the recording. It’s when a vocalist sings something that causes a shot of air to leave the mouth, hitting the mic. Plosives usually involve Ps, Bs, Fs, CHs, and others. Once that blast of air hits the mic, you can’t simply remove it in post production.
P-Pops And Other Plosives - Transom
https://transom.org/2016/p-pops-plosives/
One of the cardinal rules of voice recording is to get close to the microphone: a warm, intimate, immediate voice sound is best achieved by positioning the mic 3-6 inches from your mouth. That is in part due to a quirk of directional microphones called the proximity effect. As you get closer to the mic, low frequencies, the big, warm bassy tones so flattering to …
Q. How can I deal with plosives? - Sound on Sound
https://www.soundonsound.com/sound-advice/q-how-can-deal-plosives
If you have to salvage a recording that suffers from plosive blasts, the first option, if possible, is to replace the offending syllable with another 'pop-less' one from elsewhere in the track. Failing that, the best plosive-processing tool I know of is a software plug-in from CEDAR called DeThump (available for SADiE, Pyramix, ProTools and CEDAR's own Cambridge system).
Plosives and Sibilance - Videomaker
https://www.videomaker.com/article/c4/14106-plosives-and-sibilance
First Things First. Plosives get their name from the low-end kaboom created when the talent pronounces a B, P or T sound. These sounds require an extra burst of air from the lungs, which creates a micro windstorm at the microphone. This temporarily overloads the mic and distorts your recording. Advertisement.
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