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"Plunderphonics, or Audio Piracy as a Compositional ...

    http://www.plunderphonics.com/xhtml/xplunder.html
    "Plunderphonics, or Audio Piracy as a Compositional Prerogative" - as presented by John Oswald to the Wired Society Electro-Acoustic Conference in Toronto in 1985. Musical instruments produce sounds.

Plunderphonics, or Audio Piracy as a Compositional Prerogative

    https://econtact.ca/16_4/oswald_plunderphonics.html
    This is Chris Cutler’s poignant phrase, from File Under Popular, which also includes a good analysis of attempted definitions of popular music, and a definition of folk music integral to the use of that term in Plunderphonics: “First, the medium of its musical generation and perpetuation is tradition & is based in human, which is to say biological, memory. This mode centers around …

plunderphonics literature review

    http://www.andrewtholl.com/uploads/9/0/8/6/9086633/plunderphonics_literature_review.pdf
    mentioned “Plunderphonics, or Audio Piracy as a Compositional prerogative” has appeared in at least three different sources.4 The other frequently cited articles are “Bettered by the 4 Oswald, Musicworks 34, 5-8; Negativland, Fair Use: The Story of the Letter U and the Numeral 2, (Concord:

Plunderphonics - Music genre - Rate Your Music

    https://rateyourmusic.com/genre/plunderphonics/
    Plunderphonics is a term invented by John Oswald in his essay, Plunderphonics, or Audio Piracy as a Compositional Prerogative, and refers to the compositional technique of utilising and manipulating one or more pre-existing audio sources to create a new composition.

Plunderphonics music | Last.fm

    https://www.last.fm/tag/plunderphonics
    11 rows

RYM Ultimate Box Set > Plunderphonics - Rate Your Music

    https://rateyourmusic.com/list/TheScientist/rym-ultimate-box-set-plunderphonics/
    "Plunderphonics is a term coined by composer John Oswald in 1985 in an essay entitled Plunderphonics, or Audio Piracy as a Compositional Prerogative. It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition.

plunderphonics

    https://www.reddit.com/r/plunderphonics/
    Plunderphonics is a term coined by composer John Oswald in 1985 in his essay Plunderphonics, or Audio Piracy as a Compositional Prerogative. It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition. Plunderphonics can be considered a form of sound collage.

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