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Audio Input (Source) Options - docs.red.com
http://docs.red.com/955-0156/EPICSCARLETOperationGuide/en-us/Content/6_Audio/AudioInput_ES.htm
The camera provides two (2) microphone jacks for recording two (2) channels of microphone level analog audio. The Pro I/O Module provides two (2) XLR connectors for recording two (2) additional channels of microphone level audio. The sensitivity of the microphone and the pre-amp gain determine the recording level of the microphone input.
PSC Red Epic XLR to Right Angle 1/8" Stereo Mini Jack ...
https://www.bhphotovideo.com/c/product/1077745-REG/psc_fpsc1136a_2_red_epic_audio.html
Key Features. For Cameras, Recorder and Microphones. Balanced Input. For connecting to a one channel balanced input, the Red Epic XLR to Right Angle 1/8" Stereo Mini Jack Audio Input Cable (2') from PSC can get the job done. It can be used for various devices in audio, for applications such as, cameras, recorders, microphones and more.
PSC 2' Red Epic Time Code Input | Location Sound
https://www.locationsound.com/psc-2-red-epic-time-code-input-180
Buy PSC 2' Red Epic Time Code Input at Location Sound, a leading pro audio equipment dealer offering free shipping on most items with $99 purchase.
PSC Red Epic XLR to Right Angle 1/8" Stereo Mini Jack ...
https://www.filmtools.com/psc-red-epic-xlr-to-right-angle-1-8-stereo-mini-jack-audio-input-cable-2.html
Buy this PSC Red Epic XLR to Right Angle 1/8" Stereo Mini Jack Audio Input Cable 2' FPSC1136A with us today
Getting Sound onto a Red Epic - Cameras... love them, …
https://jwsoundgroup.net/index.php?/topic/10094-getting-sound-onto-a-red-epic/
Page 12 of the Red Epic manual says the following:. The RED EPIC can record up to two discreet channels of microphone level uncompressed 24-bit, 48 KHz audio (four channels of microphone level or line level audio inputs when equipped with a PRO I/O Module), that are synchronized with video and timecode, to REDMAG 1.8” SSD media.
RED Epic / Drexel Cinema & Television Production Hub
https://cinetv.westphal.drexel.edu/base/equipment/camera/red-epic/
Recording Media-4x 128GB RED SSDs; Codec-Redcode RAW; Audio Inputs-2x XLR via Wooden Camera adapter; Video Outputs-HD-SDI; Kit Contents. Red Epic 5010 Pelican Case; Red Epic-X Brain; TI PL Mount; AL Canon Mount; 5″ LCD Touch Screen; BOMB OLED EVF; 4x 128 GB RED SSD; RED USB3 Mini SSD Reader; Redmote;
Fortis RED EPIC Scarlet Bottom Plate & Top Plate & XLR Inputs
https://cinescopophilia.com/fortis-red-epic-scarlet-baseplate-top-plate-with-xlr-inputs/
Fortis RED EPIC Scarlet Baseplate & Top Plate with XLR Inputs: Fortis have released a new baseplate for the RED EPIC and Scarlet cameras that allows you to utilize full size XLR cables via Fortis XLR cable adapters that can be mounted anywhere along the top or bottom plates and hide the cables away too.
Red Epic Dragon Manual - Rocket Rentals
http://rocketrentals.com/wp-content/uploads/2014/07/Red-Epic-Dragon-Manual.pdf
EPIC | SCARLET | V5. 1 DRAGON | MYSTERIUM-X RED.COM RED DSMC OPERATION GUIDE. ... Shipping Disclaimer Audio Format7 ... HDRxPeak Meter 9 Magic Motion Data Path10 Audio Recording HD-SDI/HDMI Embedded Audio10 Microphone Level Analog Inputs 10 Line Level Analog Inputs 10 Video Monitoring Outputs 11 Lens Mounts 12 SMPTE Timecode 12 …
Timecode - docs.red.com
http://docs.red.com/955-0156/EPICSCARLETOperationGuide/en-us/Content/8_TC_Gen_Multi/Timecode.htm
Timecode is a numeric sequence based on SMPTE 12M that aids in the management and synchronization of footage and audio. Timecode is embedded in recorded RAW files as metadata and in HANC metadata provided by the HD-SDI monitor output. The camera can generate timecode on its own or can receive and sync to timecode generated by an external source ...
RED.com
https://www.red.com/komodo
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