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Audio Steganography Techniques-A Survey
https://core.ac.uk/download/pdf/25870269.pdf#:~:text=not%20present%20%20%20Paper%20Name%20%20,cover%20audi%20...%20%204%20more%20rows%20
A Comparative Study of Audio Steganography …
https://www.irjet.net/archives/V3/i4/IRJET-V3I4117.pdf
A Detailed look of Audio Steganography Techniques …
http://www.ijcsi.org/papers/IJCSI-9-1-2-402-406.pdf
sampling architecture used by popular audio formats such as (.WAV and. AIFF). Temporal Sampling Rate uses selectable frequencies (in the KHz) to sample the audio. The last audio format is Perceptual Sampling. This format changes the statistics of the audio drastically by encoding only the parts the listener perceives thus maintaining the
(PDF) Audio Steganography Techniques: A Survey
https://www.researchgate.net/publication/320124080_Audio_Steganography_Techniques_A_Survey
Audio Steganography Techniques: A Survey 587. Vector Quantization: Vector Quantization (VQ) is one method that is used to. cover mystery records in compressed cover document. Fractal Compression ...
Audio Steganography Techniques-A Survey
https://core.ac.uk/download/pdf/25870269.pdf
What is Steganography? Types, Techniques, Examples ...
https://www.simplilearn.com/what-is-steganography-article
Audio Steganography; Audio steganography is used with digital audio formats like WAVE, MIDI, and AVI MPEG, using echo hiding, parity coding, and LSB coding, to name a few. Video Steganography; Video steganography deals with video formats like H.264, Mp4, MPEG, and AVI. In addition, it employs pictures to carry concealed data. Image Steganography
A Survey on Digital Audio Steganography Techniques …
https://www.ijedr.org/papers/IJEDR1504034.pdf
2.1 Spatial Domain Audio Steganography These methods hide information on the basis of geometric characteristics of audio signal [1]. Low Bit Encoding and Echo Hiding methods are fall in category of spatial domain. 1. Low Bit Encoding The Low Bit Encoding modification is one of the simplest audio steganography techniques providing high capacity.
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