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6moons audio reviews: Trafomatic Audio Reference Phono One
https://www.6moons.com/audioreviews/trafomatic11/1.html
Preamp/integrated/power: Tri TRV EQ3SE phonostage; Audio Note Meishu with WE 300B (or AVVT, JJ, KR Audio 300B output tubes); Yarland FV 34 CIIISA; Qables iQube V1; Devialet D-Premier; Hypex Ncore 1200 based monoblocks; Trafomatic …
6moons audio reviews: Trafomatic Audio Reference Phono One
https://www.6moons.com/audioreviews/trafomatic11/2.html
At 10kg the 430 x 370 x 130mm phono stage is no lightweight which presumes plenty of internal transformer iron. Sasa designed the Reference Phono One as a single-ended class A circuit. There are two input types like any modern …
6moons audio reviews: Trafomatic Audio Reference One
https://www.6moons.com/audioreviews/trafomatic13/1.html
When we received the Trafomatic Reference Phono One reviewed here, it was accompanied by the matching preamplifier housed in the same metal casing with glossy paint and aluminum dashboard. Together with our also all-white Kaivalya monos and Grecian Pnoe horns, this combo was stunning proof that black audio gear is so passé.
6moons audio reviews: Trafomatic Audio Reference Phono One
https://www.6moons.com/audioreviews/trafomatic11/3.html
After a long listening session with our Japanese phonostage via the Trafomatic Reference One linestage, we swapped phonostages and started all over. A favorite LP which covers upright bass with various voices in a duo setting plus electrical bass and heavily distorted guitar is a so-called audiophile KM pressing of Rob Wasserman’s Duets where we could tell the general difference …
6moons audio reviews: Trafomatic Audio Reference Phono One
https://www.6moons.com/audioreviews/trafomatic11/4.html
With the Trafomatic Reference One Phono, this matching is made easier and better. Using his unique way of getting the RIAA deemphasis filter network out of the way, Sasa Cokic [during Norwegian Horton Show at left] has opened up the emerging sound much further than before.
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