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Unity Audio The Boulder - Sound On Sound

    https://www.soundonsound.com/reviews/unity-audio-boulder
    Unity Audio have stuck with the sealed cabinet again — the sonic advantages being well worth the extra challenges and cost penalties placed on the driver and amplifier designs. The plain fact is that the sealed-cabinet approach enables a …

Unity Audio Mini Boulder Review - MusicTech

    https://musictech.com/reviews/studio-recording-gear/unity-audio-mini-boulder-review/
    It’s been more than five years since we last put a Unity Audio monitor through its paces. That was the mark II version of the Boulder, which impressed us enough to warrant a coveted MusicTech Excellence award.Here we have the Mini Boulder monitors, which, like their supersized siblings, are three-way active monitors.

Unity Audio The Boulder MkII - Sound On Sound

    https://www.soundonsound.com/reviews/unity-audio-boulder-mkii
    Unity’s original Boulder monitors were impressive to begin with, and now they’ve been given a number of major improvements. As relative newcomers to the professional monitor market, Unity Audio have, in just five years or so, developed a very strong and well–deserved reputation for the quality of its Rock (two–way) and Boulder (three–way) sealed–cabinet reference monitors.

Review: Unity Audio Boulder MK-III - Audio Media International

    https://audiomediainternational.com/review-unity-audio-boulder-mk-iii/
    Nigel Palmer gets his hands on this 3-way active monitoring system from British manufacturer Unity Audio…. In 2012 I reviewed Unity Audio’s newly introduced The Boulder active loudspeaker for Audio Media, then minus the ‘International’.I liked what I heard at the time, and have been pleased to see the Unity brand go from strength to strength.

Unity Audio Mini Boulder - Sound On Sound

    https://www.soundonsound.com/reviews/unity-audio-mini-boulder
    Like a number of other Unity Audio monitors, the Mini Boulder is available in two flavours: the all-analogue model, reviewed here, and a DSP version. The latter type features 24-bit/96kHz A‑D conversion, and digital processing facilities including an eight-band EQ, high-resolution gain adjustment and preset saving and recall.

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