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1176LN | Classic Limiting Amplifier | Universal Audio
https://www.uaudio.com/hardware/1176ln.html#:~:text=One%20of%20the%201176%E2%80%99s%20famous%20features%20are%20its,sound%20unlike%20any%20other%20processor%20ever%20heard%20before.
Tips & Tricks — 1176 Classic Limiter ... - Universal Audio
https://www.uaudio.com/blog/1176-collection-tips/
The four Ratio buttons on the left of the meter are used to set the degree of compression — lower ratios (4:1, 8:1) for compression, higher ratios (12:1, 20:1) for limiting. And, exclusive to the 1176AE, there’s an even lower, 2:1 ratio — for a …
UA 1176 Compressor Settings Tutorial: How To Use 1176 ...
https://www.puremix.net/video/how-to-use-an-1176-compressor.html
There are 4 Ratio buttons: 4, 8, 12 and 20:1. 00:02:54. The trick about the 1176 is that the supposedly fixed Threshold actually varies with the Ratio. 00:02:59. So, …
Sharing my 1176/6176 settings for pop vocals - …
https://gearspace.com/board/so-much-gear-so-little-time/564838-sharing-my-1176-6176-settings-pop-vocals.html
Mostly I record female pop vocals (where the singer don't have great mic technique). In the record chain I use the 1176 (A=10 o'clock R= 4 o'clock Ratio 4 GR on average 1-3 but on peaks up to 10 or even more) While mixing I use the sonalksis compressor and I still need to set the attack fast (2 - 3ms) to catch the unpleasant peaks.
1176 settings while tracking vocals - Gearspace.com
https://gearspace.com/board/so-much-gear-so-little-time/938967-1176-settings-while-tracking-vocals.html
Then there is also the Bones Howe setting "The signal ran through a UREI 1176 compressor/limiter set with what Howe swears are the best parameter settings that can be configured on it for vocals: threshold/attack at 6, release at 7, and a 12:1 compression ratio."
Chaining the 1176LN and LA-2A ... - Universal Audio
https://www.uaudio.com/blog/chaining-1176ln-la2a-compressors/
The most common combination is to put the 1176 first and set it up as a peak limiter. To do this, set a high compression ratio, like 12:1, and a fairly fast attack and release. The point here is to just flatten the higher peaks. This compressor should not be doing a whole lot, just knocking 2 to 3 dB off of the loudest peaks.
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