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Audio quality: Understanding bits, sample rate and formats
https://blog.hotmart.com/en/audio-quality/#:~:text=It%E2%80%99s%20as%20if%20it%20were%20an%20amplitude%20bit,With%2024%20bits%2C%20there%20are%2016.7%20million%20levels.
16 Bit Audio Recording: What The Heck Does It Mean?
https://www.homebrewaudio.com/8403/16-bit-audio-recording-what-the-heck-does-it-mean/
A 16-bit converter gets you 96 dB of dynamic range, which is well beneath our theoretical analog noise floor of -80 to -90 dB. The Rest is History. With the above knowledge, the audio industry sort of adopted 16-bit audio as its standard, which among other things is why music CDs are 16-bit audio.
Definition of 16-bit audio - PCMag
https://www.pcmag.com/encyclopedia/term/16-bit-audio
What does 16-bit audio actually mean? Find out inside PCMag's comprehensive tech and computer-related encyclopedia.
16-bit-audio Meaning | Best 1 Definitions of 16-bit-audio
https://www.yourdictionary.com/16-bit-audio
What does 16-bit-audio mean? See audio bit depth.
What is bit depth in audio? 16 bit, 24 bit and 32 bit ...
https://www.mixinglessons.com/bit-depth/
16 bit vs 24 bit. The most common bit depths for recording and bouncing audio are 16 bit and 24 bit. 16 bit provides each sample with 65,536 possible amplitude values. 24 bit provides each sample with 16,777,216 possible amplitude values. As such, 16 bit provides you with 96dB of dynamic range between the noise floor and 0dBFS. 24 bit provides you with …
What is meant by 16 Bit Resolution in terms of audio? - …
https://www.quora.com/What-is-meant-by-16-Bit-Resolution-in-terms-of-audio
The resolution of 16 bits in audio is the dynamic range in which the audio can be stored, 16 bits represents 65535 values, including 0 (zero). The bit depth limits the Signal to Noise ratio to the Quantization error intoduced during ADC analogue to digial conversion. It is an error between input and output, and is non-linear.
Bit-depth explained: Everything you need to know - …
https://soundguys.com/audio-bit-depth-explained-23706/
On balance, 16 bits (96dB of dynamic range or 120dB with dithering applied) accommodates a wide range of audio types, as well as the limits of human hearing and typical listening environments. The perceptual increases in 24-bit quality are highly debatable if not simply a placebo, as I hope I’ve demonstrated.
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